真理与创造性学习的失败

Slavica Maksić
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引用次数: 0

摘要

有形和无形产品的创造力是克服创造领域和创造产品的人的生活现状的一种尝试。创造力的主要特征是对熟悉的事物产生有效的新颖性,这意味着它为所涉及的问题提供了适当的解决方案。本文批判了“创造力的先天性”这一认为人的创造力是建立在遗传基础上的观点,这实际上意味着教育对创造性作品的创作没有任何特殊的意义。这种批评基于当前的创造力理论,这些理论表明创造力的发展性,并强调学习在创造潜力发展中的作用。新知识是通过学习建立在现有知识的基础上的,这意味着对信息进行创造性的处理,熟悉它,理解,接受并将该信息放置在自己所学知识的知识库中。学习过程越具有创造性,它就越有可能鼓励学习者对现有知识的创造性以及对其重新审视和改变的渴望。从创造性学习开始的发展创造力的方法,已经与关于人性的成长理论和固定心态联系在一起,它解决了我们适应、改变和成长的能力。在本文的继续部分,考虑了在更大程度上支持学校创造性学习的条件。在论文的最后部分,讨论了这种方法的局限性,并提出了未来研究的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Istine i zablude o kreativnom učenju
Creativity in a tangible and intangible product is an attempt at overcoming the current situation in the field of creation and the life of the person who creates the product. The main feature of creativity is an effective novelty in relation to something familiar, which means that it offers an appropriate solution to the problem to which it refers. The paper criticizes the thesis on the innateness of creativity, according to which a person is creative on the basis of heritage, which would practically mean that education does not have any special significance for the creation of creative works. The criticism is based on the current theories of creativity that indicate the developmental nature of creativity and emphasize the role of learning in the development of creative potentials. The new is built on the existing knowledge through learning, which implies creative processing of information, becoming familiar with it, understanding, acceptance and placement of that information in one's own knowledge-base of what has been learned. The more creative the learning process is, the greater the chances that it will encourage the creativity of the learner in relation to the existing knowledge and the aspiration for its re-examination and change. The developmental approach to creativity, which begins with creative learning, has been linked to the theory of growth and fixed mindsets about human nature, which addresses our capacity to adapt, change, and grow. In the continuation of the paper, the conditions are considered that would support to a greater extent the creative learning in school. In the final part of the paper, the limitations of this approach are discussed and questions proposed for future research.
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