人的神学观念:恩杰戈斯作品的人类学问题

M. V. Zlatanović-Marković
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引用次数: 1

摘要

恩杰戈斯的诗学基本上包含了东正教人类学的学习,认为人是按照上帝的形象被创造的。这些问题已经在诗歌Misao(“思想”)和哲学-宗教史诗Luca Mikrokozma(“微观世界的光线”)的范式中进行了研究,使用现象学以及其他好的文学研究方法。神与人的相遇,发生在人的心里;这个会议是创造性的,鼓舞人心的,最重要的是它发生在一个形而上学的层面上。它使人向往无限。人类的思想指向寻找和揭示主显节的神奇秘密。在这条路上,Njegos的男人对男人的堕落和从天堂流放感兴趣。所获得的经验将人引向上帝和永恒。这样的人回答了上帝和永恒的问题,意识到肉体在尘世的短暂,使自己适应时间的流逝,因为他知道他是一个“在通往死亡的道路上的人”,所以把他的思想引导到准备灵魂与永恒的相遇上。关于这个主题,恩杰戈斯提出了一个重要的问题,即人的存在主义戏剧,如果他偏离了人性的本质,与源头的联系,与基督里的上帝,那么他就会呈现出“罪恶中的人”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The theological conception of a man: The anthropological issue of the Njegos's work
Njegos's poetics basically contains the Orthodox anthropology learning, by which a man was created in the image of God. The issues have been studied in the paradigms of the poem Misao ('Thought') and the philosophical-religious epic poem Luca Mikrokozma ('The Ray of the Microcosm'), using phenomenological as well as the other good methods of literature studies. The encounter between the God and a man happens in the heart of a man; and this meeting is creative, inspiring and most important as it happens at a metaphysical level. It drives a man's longing for infinity. Man's thoughts are directed towards finding and revealing the miraculous secret of the Epiphany. On this path the Njegos's man is interested in the man's fall and exile from the Heaven. The experience acquired leading the man to God and eternity. Such a man who answered the question of God and eternity, conscious of the physical earthly transience, adapts himself into the passing of time as he knows that he is a 'being-on-the-road-to-death' so directing his thoughts towards preparing the soul for meeting with the eternity. Concerning this subject, Njegos raises important questions of man's existential drama presenting 'a man in sin' if he deviates from the essence of his humanity, the link to the source, with the God in Christ.
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