简·奥斯汀《傲慢与偏见》中的“凝视”与“视觉”

M. Zolfagharkhani, H. Ramezani
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引用次数: 1

摘要

对于许多读者来说,简·奥斯汀的小说和性感的身体之间没有任何联系。奥斯丁小说中的性取向从不露骨;尽管如此,它却渗透在她爱人之间的每一个眼神、手势和信件中。本文旨在揭示简·奥斯汀的《傲慢与偏见》中“凝视”的概念,尤其是女性的凝视。根据女权主义批评家的观点,女性成为男性的性对象在心理上是不可避免的;因此,他们实际上拒绝承认女性凝视存在的可能性。可以说,正如整篇文章所指出的那样,女性不一定会因为男性的凝视而变得沉默和惰性;事实上,她们积极地塑造和回应男性的欲望,她们的目光和男性的目光一样充满了权威和力量。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Gaze’ and ‘Visuality’ in Jane Austen’s Pride and Prejudice
For many readers, there is no connection between Jane Austen’s novels and the sexualized body. Sexuality in Austen’s novels is never explicit; nonetheless, it permeates every look, gesture, and letter that passes between her lovers. This article aims to reveal the concept of ‘gaze’, especially female gaze, in Jane Austen’s Pride and Prejudice . According to feminist critics it is psychologically inevitable that women are the sexual objects of men; therefore, they have effectively refused to acknowledge the possibility that a female gaze could exist. Arguably, as it is indicated throughout this article, women are not necessarily rendered mute and inert by the male gaze; in fact, they actively shape and respond to male desire and their gaze encompasses as much authority and power as the male gaze.
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