舞台指导和戏剧交流

Bastina Pub Date : 2020-01-01 DOI:10.5937/bastina30-29121
Uroš Đurković
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引用次数: 0

摘要

根据不同的理论观点,对didaskalia作为一个文学和戏剧术语的看法经历了从旁文本到次要文本元素(Pfister)到戏剧本质的转变。因此,舞台指导的意义对于概述戏剧中的传播策略非常重要,例如多媒体,戏剧中作者声音的问题以及戏剧文本与舞台之间的复杂关系。同时,舞台指示作为辅助文本中的一个元素,可以保持一定程度的独立性,强调其独特性。本文阐述了舞台指示的不同含义如何从根本上改变我们对待戏剧的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Stage directions and dramatic communication
According to various theoretical perspectives, views of didaskalia as a literary and theatre term have been changing from paratext through element in secondary text (Pfister) to essence of drama. Therefore, meaning of stage directions can be important for an overview of communication strategies in drama, such as multimedia, issue of auctorial voice in drama, and complex relationship between dramatic text and staging. Also, as an element in a secondary text, stage directions can maintain certain degree of independence, which emphasizes their distinct nature. This paper shows how various meanings of stage directions can fundamentally change the way we approach drama.
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