通过奥古斯托·切萨雷·科拉迪尼(1900-1931)的活动观察采蒂涅和巴里的城市发展

Aleksandar Dajković
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引用次数: 0

摘要

本文通过意大利建筑师奥古斯托·切萨雷·科拉迪尼(Augusto Cesare Corradini, 1860-1932)的作品,介绍了切蒂涅和巴里城市主义的时间顺序发展。Corradini在1900年至1912年期间为黑山前首都采蒂涅(Cetinje)和普拉地区中心巴里(Bari)的密集城市和建筑发展做出了贡献,特别是在1905年至1931年期间。在这些环境中,他成功地定义了具有艺术标志的可识别的城市建筑创作空间,无论是作为国际折衷主义的一部分,如采蒂涅的俄罗斯公使馆(1900年),菲扎罗蒂宫(1906-1908年)和Ingami Scalvini宫(1923年),还是理性主义/现代主义,如菲亚特宫(1925年)和巴里普利亚导航公司的展馆(1930年)。Corradini特别用纪念性建筑和建筑群定义了城市的城市身份-切蒂涅的政府大楼(1910)和巴里的Fiera del Levante(1928)。他的作品旨在在不同的环境和社会政治体系中发挥作用,具有一种特殊的建筑表达,无疑具有语义特征。他以新的风格概念和空间组织形式,永久地影响了上述城市的现代城市建筑进程,他的作品作为国家文化产品的地位证实了它作为功能与装饰,艺术与技术的独特结合的重要性。通过他对城市趋势的整体看法和Corradini在Cetinje和Bari的工作,可以看到这位意大利建筑师对独特城市矩阵形成的强大影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Urban development of Cetinje and Bari observed through of the activities of Augusto Cesare Corradini (1900-1931)
The paper presents the chronological development of urbanism in Cetinje and Bari observed through the work of Italian architect Augusto Cesare Corradini (Augusto Cesare Corradini 1860-1932). Corradini contributed to the intensive urban and architectural development of Cetinje, the former capital of Montenegro, in the period 1900-1912, and Bari, the center of the Pula region, especially in the period 1905-1931. In these environments, he managed to define spaces with recognizable urban-architectural creations with an artistic sign, either as a segment of international eclecticism, such as the Russian legation in Cetinje (1900), Fizzarotti Palace (1906-1908) and Ingami Scalvini Palace (1923) or rationalism/modernism, such as the Fiat Palace (1925) and the pavilion of the Navigation Company of Puglia (1930) in Bari. Corradini especially defined the urban identity of cities with monumental buildings and complexes - the Government House in Cetinje (1910), and the Fiera del Levante (1928) in Bari. Aimed at acting in different environments and socio-political systems, his work had a special architectural expression with an undoubtedly semantic character. With new stylistic concepts and forms of spatial organization, he permanently influenced the modern urbanarchitectural processes of the mentioned cities, and the status of his work as national cultural goods confirms its importance as a unique combination of functional and decorative, artistic and technical. Through his integral view of urban trends and Corradini's work in Cetinje and Bari, the strong influence of this Italian architect on the formation of unique urban matrices can be seen.
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