20世纪60年代建筑师米洛萨夫Miša米蒂奇(1932-1970)的表达:探索、结晶与成熟

Goran Anđelković
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引用次数: 0

摘要

研究的主题是20世纪60年代建筑师米洛萨夫Miša米蒂奇的设计工作和专业参与的开始。直到现在,米蒂奇这一时期的设计实践和施工活动还没有成为任何科学研究的主题,也没有在建筑史学中进行评估。本文的目的是阐明在其职业生涯初期鲜为人知的米蒂奇作品,确定其实践的基本特征,并批判性地重新审视他对二十世纪下半叶塞尔维亚建筑整体图景的贡献。科学分析涵盖了重要的未实现和已完成的建筑成就,包括独立的中庭项目工作室(1956-1959)和贝尔格莱德五人建筑小组(1954-1970)。它详细地考察了米蒂奇在三个阶段(1956-1960)的创作发展路径:20世纪50年代在中庭项目工作室寻找作者表达,当时他的作者二元性出现在舞台上,充满了强烈的操作方式和权当权当的感觉;通过一系列竞赛和新贝尔格莱德中心区第一住宅区的第一个主要完成项目,作者在五人小组中表达了自己的想法;并在他的第一个主要的独立承包设计和施工项目中达到了完全的写作成熟度,该项目是EFGH当地社区中心综合体,其中包括S-10商业和住宅塔楼。这是新贝尔格莱德未来中心可能不同面貌的历史证据,其可识别的建筑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The expression of architect Milosav Miša Mitić (1932-1970) in the 1960s: The search, crystallization and maturity
The subject of the research is the beginning of the design work and professional engagement of architect Milosav Miša Mitić in the 1960s. Until now, this period of Mitić's design practice and construction activity has not been the subject of any scientific research, and it has still not been assessed in architectural historiography. The aims of the paper are to shed light on the lesser-known facts about Mitić's work at the beginning of his professional career, to determine the basic characteristics of his practice and to critically re-examine his contribution to the overall picture of Serbian architecture in the second half of the twentieth century. The scientific analysis covers significant unrealized and accomplished architectural achievements, both independently in the project studio Atrium (1956-1959), and jointly within the architectural group Belgrade Five (1954-1970). It examines in detail Mitić's developmental creative path in three phases (1956-1960): the search for authorial expression during the 1950s in the project studio Atrium, when his authorial duality comes to the fore, imbued with a strong sense of modus operandi and modus vivendi; crystallization of the author's expression within a five-member group, through a series of competitions and the first major accomplished project in the first housing estate within the Central zone of New Belgrade; and reaching full authorial maturity in his first major independent contracted design and construction project, for the EFGH local community center complex, with the S-10 commercial and residential tower. This is historical evidence of the possible different physiognomy of the future center of New Belgrade, with its recognizable architecture.
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