野蛮主义对话:建筑师Branislav Jovin访谈

Djordje Alfirevic
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引用次数: 1

摘要

塞尔维亚建筑粗野主义的出现主要与几位建筑师的作品有关,布拉尼斯拉夫·乔文是这一群体中最重要的作家之一。他以“贝尔格莱德地下”项目和许多其他作品而闻名,如交通路口Mostar,贝尔格莱德城市主义研究所大楼,新贝尔格莱德市政大楼等。乔文作为底层建筑的成功创造者同样成功。他对Knez Mijalova街的步行区、共和国广场的一部分、萨瓦河码头以及南斯拉夫酒店和萨瓦市会议中心前的自由空间的解决方案,在很大程度上决定了贝尔格莱德的国际化特征。1970年,Jovin完成了贝尔格莱德城市主义研究所的建设,通过使用天然混凝土作为实现表现力的工具,Jovin与其他建筑师- Mihajlo Mitrovic, Ivan Antic, Ljupko Curcic, Bozidar Jankovic, Branislav Karadzic, Aleksandar Stepanovic一起为塞尔维亚的野兽派美学研究奠定了基础。虽然他的大部分作品包括城市规划建筑项目和户外空间管理,但这次采访的灵感主要来自他的建筑成就。采访的目的是强调导致塞尔维亚建筑中野兽派倾向出现的情况,以及鼓励对野兽派美学的进一步研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Conversation on brutalism: Interview with architect Branislav Jovin
The emergence of Brutalism in Serbian architecture is mainly connected to the works of several architects, with Branislav Jovin being one of the most significant authors in this group. He is well-known for his project 'Belgrade Underground' and numerous other works, such as traffic intersection Mostar, the building of Institute of Urbanism Belgrade, New Belgrade Municipality building, etc. Jovin was equally successful as accomplished creator of ground floor architecture. His solutions for the pedestrian zone in Knez Mijalova Street and part of the Republic Square, the Sava River Quay and free space in front of Yugoslavia Hotel and the Congress Center Sava determined to a great deal the cosmopolitan character of Belgrade. When in 1970 he completed the building of Institute of Urbanism Belgrade, by using natural concrete as a tool to achieving expressiveness, Jovin, along with other architects - Mihajlo Mitrovic, Ivan Antic, Ljupko Curcic, Bozidar Jankovic, Branislav Karadzic, Aleksandar Stepanovic, laid the foundations for research of brutalist aesthetics in Serbia. Although majority of his works include urbanist-architectural projects and management of outdoor spaces, the inspiration for this interview came primarily from his architectural achievements. The aim of the interview was to emphasize the circumstances that led to emergence of brutalist tendencies in Serbian architecture, as well as to encourage further research of the brutalism aesthetics.
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