动作量和观察者的专业知识如何塑造舞蹈中动作美学的感知?

Q2 Health Professions
P. Vinken, T. Heinen
{"title":"动作量和观察者的专业知识如何塑造舞蹈中动作美学的感知?","authors":"P. Vinken, T. Heinen","doi":"10.5114/hm.2021.106170","DOIUrl":null,"url":null,"abstract":"Purpose. research on empirical aesthetics suggests that specific kinematic parameters are related to the perception of motion aesthetics. Furthermore, an observer’s expertise seems to be related to the perception of motion aesthetics when complex biological motion stimuli are present. the central aim of this study was to investigate whether the amount that specific body parts moved during a complex motor skill was related to the perception of motion aesthetics in observers with different levels of sensory-motor expertise. Methods. Overall, 36 participants divided into 2 groups (18 dancers and 18 non-dancers) were asked to indicate their perceived motion aesthetics when they watched stick-figure video sequences of 3 different semi-standardized dance skills. the stick-figure video sequences were generated from original motion stimuli, and motion aesthetics were measured via Likert scales. Results. the perception of motion aesthetics in relation to the amount that specific body parts move is skilland expertisespecific. Dance poses are perceived similarly by dancers and non-dancers, but motion aesthetics during dance jumps and turns are perceived differently. Furthermore, the amount that specific body parts move affects whether the observer perceives the motor skills as more or less aesthetic. Conclusions. the observer’s sensory-motor expertise regarding the observed motor skills can shape their perception of motion aesthetics. the findings of this study demonstrate that there is a skilland expertise-specific relationship between motion kinematics and motion aesthetics.","PeriodicalId":35354,"journal":{"name":"Human Movement","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"4","resultStr":"{\"title\":\"How does the amount of movement and observer expertise shape the perception of motion aesthetics in dance?\",\"authors\":\"P. Vinken, T. Heinen\",\"doi\":\"10.5114/hm.2021.106170\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Purpose. research on empirical aesthetics suggests that specific kinematic parameters are related to the perception of motion aesthetics. Furthermore, an observer’s expertise seems to be related to the perception of motion aesthetics when complex biological motion stimuli are present. the central aim of this study was to investigate whether the amount that specific body parts moved during a complex motor skill was related to the perception of motion aesthetics in observers with different levels of sensory-motor expertise. Methods. Overall, 36 participants divided into 2 groups (18 dancers and 18 non-dancers) were asked to indicate their perceived motion aesthetics when they watched stick-figure video sequences of 3 different semi-standardized dance skills. the stick-figure video sequences were generated from original motion stimuli, and motion aesthetics were measured via Likert scales. Results. the perception of motion aesthetics in relation to the amount that specific body parts move is skilland expertisespecific. Dance poses are perceived similarly by dancers and non-dancers, but motion aesthetics during dance jumps and turns are perceived differently. Furthermore, the amount that specific body parts move affects whether the observer perceives the motor skills as more or less aesthetic. Conclusions. the observer’s sensory-motor expertise regarding the observed motor skills can shape their perception of motion aesthetics. the findings of this study demonstrate that there is a skilland expertise-specific relationship between motion kinematics and motion aesthetics.\",\"PeriodicalId\":35354,\"journal\":{\"name\":\"Human Movement\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"4\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Human Movement\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5114/hm.2021.106170\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Health Professions\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Human Movement","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5114/hm.2021.106170","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Health Professions","Score":null,"Total":0}
引用次数: 4

摘要

目的。经验美学的研究表明,具体的运动学参数与运动美学的感知有关。此外,当复杂的生物运动刺激存在时,观察者的专业知识似乎与运动美学的感知有关。本研究的主要目的是调查具有不同感觉-运动专业水平的观察者在复杂运动技能中特定身体部位的移动量是否与运动美学的感知有关。方法。总的来说,36名参与者被分为两组(18名舞者和18名非舞者),当他们观看3种不同的半标准化舞蹈技巧的简笔画视频序列时,他们被要求表明他们对动作美学的感知。由原始运动刺激生成简笔画视频序列,并通过Likert量表测量运动美学。结果。对运动美学的感知与特定身体部位运动的数量有关,这是技能和专业技能所特有的。舞蹈者和非舞蹈者对舞蹈姿势的感知是相似的,但对舞蹈跳跃和旋转过程中的动作美学的感知是不同的。此外,特定身体部位的运动量会影响观察者对运动技能的审美感受。结论。观察者对观察到的运动技能的感觉-运动专业知识可以塑造他们对运动美学的感知。这项研究的结果表明,运动运动学和运动美学之间存在着技能和专业知识的特定关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
How does the amount of movement and observer expertise shape the perception of motion aesthetics in dance?
Purpose. research on empirical aesthetics suggests that specific kinematic parameters are related to the perception of motion aesthetics. Furthermore, an observer’s expertise seems to be related to the perception of motion aesthetics when complex biological motion stimuli are present. the central aim of this study was to investigate whether the amount that specific body parts moved during a complex motor skill was related to the perception of motion aesthetics in observers with different levels of sensory-motor expertise. Methods. Overall, 36 participants divided into 2 groups (18 dancers and 18 non-dancers) were asked to indicate their perceived motion aesthetics when they watched stick-figure video sequences of 3 different semi-standardized dance skills. the stick-figure video sequences were generated from original motion stimuli, and motion aesthetics were measured via Likert scales. Results. the perception of motion aesthetics in relation to the amount that specific body parts move is skilland expertisespecific. Dance poses are perceived similarly by dancers and non-dancers, but motion aesthetics during dance jumps and turns are perceived differently. Furthermore, the amount that specific body parts move affects whether the observer perceives the motor skills as more or less aesthetic. Conclusions. the observer’s sensory-motor expertise regarding the observed motor skills can shape their perception of motion aesthetics. the findings of this study demonstrate that there is a skilland expertise-specific relationship between motion kinematics and motion aesthetics.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Human Movement
Human Movement Health Professions-Physical Therapy, Sports Therapy and Rehabilitation
CiteScore
2.50
自引率
0.00%
发文量
44
审稿时长
15 weeks
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信