《拉丁美洲的激进歌曲运动:智利、乌拉圭和阿根廷》,巴勃罗·维拉主编(书评)

IF 0.3 3区 艺术学 0 MUSIC
Julianne Graper
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引用次数: 0

摘要

20世纪60年代和70年代,拉丁美洲经历了一场深刻的、往往是暴力的社会变革过程。从古巴革命到阿根廷、乌拉圭、秘鲁、哥伦比亚和中美洲大部分地区的大规模游击运动,到智利阿连德的民主社会主义实验,再到乌拉圭以社会主义为导向的政党越来越受欢迎,或像阿根廷的庇隆青年(Juventud Peronista)这样的准社会主义运动,社会变革的理念一直在空气中弥漫。虽然这个话题已经从政治和社会的角度进行了探讨,但有一个方面仍然相当未被探索。这一运动的文化层面,尤其是音乐层面,对于理解其情感诉求的程度至关重要,但尚未得到充分的记录。如果不说明音乐是如何被广泛地用于构建总是伴随着政治行动的情感成分的,那么对那个时期拉丁美洲发生的事情的任何解释都将是片面的。本书是克服这一缺陷的初步尝试。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Militant Song Movement in Latin America: Chile, Uruguay, and Argentina ed. by Pablo Vila (review)
Latin America in the 1960s and 1970s underwent a profound and often violent process of social change. From the Cuban Revolution to the massive guerrilla movements in Argentina, Uruguay, Peru, Colombia, and most of Central America, to the democratic socialist experiment of Allende in Chile, to the increased popularity of socialist-oriented parties in Uruguay, or para-socialist movements, such as the Juventud Peronista in Argentina, the idea of social change was in the air. Although this topic has been explored from a political and social point of view, there is an aspect that has remained fairly unexplored. The cultural—and especially musical—dimension of this movement, so vital in order to comprehend the extent of its emotional appeal, has not been fully documented. Without an account of how music was pervasively used in the construction of the emotional components that always accompany political action, any explanation of what occurred in Latin America during that period will be always partial. This book is an initial attempt to overcome this deficit.
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