教育及创意产业

Jovana Miljković, Bojan Ljujić, Dubravka Mihajlović
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引用次数: 0

摘要

创意产业代表了一个当代商业和政治概念,除了它在发达国家经济事务中的重要作用外,它还没有得到足够的科学阐述。虽然对于哪些活动应该包括在创意产业的概念中没有达成一致意见,但教育与创意产业密切相关的明确迹象是显而易见的。进行理论研究的目的是为了回答研究问题:创意产业现象与教育之间的关系是什么?通过对相关科学研究进行内容分析,对创意产业特征进行抽象,然后采用比较的方法,考察教育与所选创意产业特征之间的现实关系和潜在关系。研究结果表明,教育具有创意产业的所有特征,创意产业与教育之间存在着双向联系:(1)教育作为创意产业产生和发展的前提条件出现,(2)创意产业支持教育作为教育的功能被认可。关于上述联系,至少出现了两个复杂的实际行动方向,旨在满足现实中的相关现象:第一个表明优化教育的必要性,这将进一步支持创意产业的流动,而第二个意味着创造和表达产业本身更强烈的愿望,这将使教育更加内在。这项工作的局限性在于,创意产业和教育的现象并没有从整体上考虑,而只是从表面上考虑——相关现象的价值维度被忽视了,因此,应该谨慎对待这项研究的结果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Education and creative industries
Creative industries represent a contemporary business and political concept which does not have sufficient scientific elaboration beside the significant role it has within economic affairs in developed countries. Although there is no consensus about which activities should be included in the concept of creative industries, clear indications that education is strongly linked to those are evident. The theoretical research was carried out with the aim of obtaining an answer to the research question: what is the relationship between the phenomena of the creative industry and education? By conducting content analysis of relevant scientific research, the characteristics of creative industries were abstracted, and then, by using the comparative method, the actual and potential relationship between education and selected characteristics of creative industries was examined. The research results indicate that education possesses all the characteristics of creative industries, and that there is a two-sided connection between creative industries and education: (1) education appears as a prerequisite for the genesis and development of creative industries and (2) creative industries support education being recognized as a function of education. Regarding the abovementioned connection, at least two complex directions of practical action arise, aimed at meeting relevant phenomena in reality: the first indicates the necessity of optimizing education that would further support the flows of creative industries, while the second implies the creation and articulation of stronger aspirations of the industries themselves that would make education more immanent in its nature. The limitation of this work is that the phenomena of creative industries and education are not considered in their totality, but only in their apparent form -the value dimension of the relevant phenomena was neglected, and therefore the results of this research should be regarded with caution.
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