城市及其象征。知名古迹外观营销使用的法律条件

Q2 Arts and Humanities
W. Kowalski
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引用次数: 1

摘要

城市和它们的象征。著名古迹外观营销使用的法律条件本文的主题是其所在城市对著名地标进行商业利用的法律后果。事实上,多年来,城市一直扮演着这样的角色,并在商业上受益,例如巴黎的埃菲尔铁塔或伦敦的塔城堡。这种做法似乎是显而易见的,但应根据现行的当地法律规定和由此产生的限制。通过对物权法和著作权法的详细分析,认为地标的所有人不仅拥有对其实物使用的专有权,而且拥有对其形象的处置权。特别是,这些权利包括以两种可能的形式对该图像进行商业使用,无论是直接观看纪念碑还是通过观看其照片来欣赏它。考虑到这一法律地位,一个城市可以自由地使用自己的地标建筑的营销形象,但在第三方拥有的纪念碑的情况下,将有必要签署一份特殊协议,规定这种使用条件。除了财产权之外,一个城市也有义务接受被称为“新纪念碑”的项目的作者的权利,以及涉及保护、修复、改造和现代化工程的项目的作者的权利。这些权利包括经济权利和给定作品的作者身份(精神权利)。如需改造
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Miasta i ich symbole. Uwarunkowania prawne marketingowego wykorzystywania wyglądu znanych zabytków
Cities and their symbols. Legal conditions for marketing use of the appearance of famous monuments The subject of this article is the legal ramifications of the commercial use of well-known landmarks by the cities where they are located. In fact, cities have played such a role and benefited commercially for many years, e.g. the Eiffel Tower in Paris or Tower Castle in London. Such a practice appears obvious but should be based on the local legal provisions in force and resulting limitations. After a detailed analysis of the law of property and copyright, the author argues that the owner of the landmark has not only an exclusive right to make physical use of it, but also the right to dispose of its image. In particular, these rights include the commercial use of this image in both possible forms, whether looking at the monument directly or enjoying it by looking at its photographs. Taking into account this legal position, a city can freely use its marketing images of its own landmarks, but in the case of third party owned monument, it will be necessary to sign a special agreement setting out the conditions of such use. Independently of property rights, a city will be obliged to also accept the rights of authors of projects referred to as “new monuments” as well as the rights of the authors of projects involving conservation, restauration, adaptation and modernization works. These rights include economic rights and authorship of the given works (moral rights). In case of reconstr
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来源期刊
Santander Art and Culture Law Review
Santander Art and Culture Law Review Arts and Humanities-Visual Arts and Performing Arts
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