{"title":"收集数字设计:原因、定义、挑战和影响(Natalie Kane与Gil Pasternak谈话)","authors":"Natalie Kane","doi":"10.4467/2450050XSNR.20.009.13012","DOIUrl":null,"url":null,"abstract":"Natalie Kane: The V&A has had ambitions to collect digital objects for some time, but it took a few steps to get there before creating a dedicated collecting position. The V&A first made some experiments in exhibition-making as a means to understand digital design within the institution. In 2009, for instance, the museum opened the exhibition Decode, which was curated by Louise Shannon and featured digital design practice current","PeriodicalId":36554,"journal":{"name":"Santander Art and Culture Law Review","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Collecting Digital Designs: Reasons, Definitions, Challenges, and Implications (Natalie Kane talks to Gil Pasternak)\",\"authors\":\"Natalie Kane\",\"doi\":\"10.4467/2450050XSNR.20.009.13012\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Natalie Kane: The V&A has had ambitions to collect digital objects for some time, but it took a few steps to get there before creating a dedicated collecting position. The V&A first made some experiments in exhibition-making as a means to understand digital design within the institution. In 2009, for instance, the museum opened the exhibition Decode, which was curated by Louise Shannon and featured digital design practice current\",\"PeriodicalId\":36554,\"journal\":{\"name\":\"Santander Art and Culture Law Review\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Santander Art and Culture Law Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4467/2450050XSNR.20.009.13012\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Santander Art and Culture Law Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4467/2450050XSNR.20.009.13012","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Collecting Digital Designs: Reasons, Definitions, Challenges, and Implications (Natalie Kane talks to Gil Pasternak)
Natalie Kane: The V&A has had ambitions to collect digital objects for some time, but it took a few steps to get there before creating a dedicated collecting position. The V&A first made some experiments in exhibition-making as a means to understand digital design within the institution. In 2009, for instance, the museum opened the exhibition Decode, which was curated by Louise Shannon and featured digital design practice current