《简·爱》中的双头怪物:反常的女性读者与离奇的互文性

Mădălina Elena Mandici
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引用次数: 0

摘要

本文探讨夏洛特Brontë的简·爱,一个没有父母的狂热读者,是如何接触到对维多利亚父权家庭的模仿的,在这个家庭里,可怕的男性形象对家庭中的女性成员行使权威——奇怪的孩子,脆弱的被遗弃者,疯子。为了探究女性读者这一威胁力量在19世纪所产生的文本张力和社会张力,本文以一位睿智的女主人公教化了一位具有代表性的童话类型的野蛮男主人公为研究对象。虽然肯定是不符合历史的,但简颠覆了童话故事中顺从和支配的游戏,邀请当代读者将她视为社会意义建构的参与者,并挑战围绕她看似黑暗的双重人格和身体自卑的相互矛盾的假设。这项研究触及了女性在家庭生活中的经历,它提出的发现与以下观点一致:家——维多利亚时代幸福的所在地——可以很容易地毗邻一个可怕的哥特式监狱和恐怖场所,那里居住着男性暴君和被殖民的怪物。对于简·爱和其他被禁锢在象征性的监狱或精神病院的阅读女主人公来说,书籍包含了丰富的潜在的活力供应。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Two-Headed Monster in Jane Eyre: Anomalous Female Readership and Uncanny Intertextuality
This paper approaches the manner in which Charlotte Brontë’s Jane Eyre, a parentless avid reader, comes into contact with parodies of the patriarchal Victorian family, where monstrous male figures exercise authority over female members of the household – the strange child, the vulnerable outcast, the lunatic. To explore the textual and social tensions the figure of the female reader as a threatening force produced in the nineteenth century, this paper focuses on a sagacious heroine civilizing a bestial hero representative of the fairy-tale genre. Though certainly ahistorical, Jane subverts the fairy-tale game of submission and dominance, inviting contemporary readers to see her as a participant in the cons truction of social meanings and challenge conflicting assumptions around her seemingly dark double and physical inferiority. Touching as it does on female experience within domesticity, this study submits findings consistent with the idea that the home – the locus of Victorian well-being – can easily adjoin a horrific Gothic site of incarceration and terror, populated by male tyrants and colonized monsters. For Jane Eyre and other reading heroines confined to such places as symbolic prisons or intellectual hospitals, books turn out to subsume plentiful underlying supplies of vitality.
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