{"title":"一位艺术家在拖船上的旅程","authors":"T. Wilde","doi":"10.47397/tb/44-1/tb136wilde-art","DOIUrl":null,"url":null,"abstract":"How does a coloured bird end up on a TUG boat? This is the story of an artist who studied philosophy and combined her skills in a PhD at the University of Amsterdam ( NL ). In order to write her dissertation, she had to learn the L A TEX typesetting programme. Many years later, she still makes art and still writes down her thoughts in L A TEX, with the Memoir class and X E L A TEX as first choice. Always trying to stretch the limits of the programme to her convenience. This essay is not a technical article written by a developer conjuring up ingenious innovations to the L A TEX programme. By contrast, it discusses the relationship between L A T E X, art (photography) and the concept of ‘measurability’ from the perspective of a philosophising artist.","PeriodicalId":93390,"journal":{"name":"TUGboat (Providence, R.I.)","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"An artist's journey on a TUGboat\",\"authors\":\"T. Wilde\",\"doi\":\"10.47397/tb/44-1/tb136wilde-art\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"How does a coloured bird end up on a TUG boat? This is the story of an artist who studied philosophy and combined her skills in a PhD at the University of Amsterdam ( NL ). In order to write her dissertation, she had to learn the L A TEX typesetting programme. Many years later, she still makes art and still writes down her thoughts in L A TEX, with the Memoir class and X E L A TEX as first choice. Always trying to stretch the limits of the programme to her convenience. This essay is not a technical article written by a developer conjuring up ingenious innovations to the L A TEX programme. By contrast, it discusses the relationship between L A T E X, art (photography) and the concept of ‘measurability’ from the perspective of a philosophising artist.\",\"PeriodicalId\":93390,\"journal\":{\"name\":\"TUGboat (Providence, R.I.)\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TUGboat (Providence, R.I.)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.47397/tb/44-1/tb136wilde-art\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TUGboat (Providence, R.I.)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47397/tb/44-1/tb136wilde-art","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
一只彩色的鸟怎么会出现在拖船上?这是一位艺术家的故事,她学习哲学,并在阿姆斯特丹大学(NL)获得博士学位。为了写论文,她必须学习la TEX排版程序。多年后的今天,她仍然在《回忆录》课和《X E L A TEX》课上创作艺术,写下自己的想法。总是想把节目安排到她方便的时候。本文不是一篇由开发人员编写的技术文章,这些开发人员对latex程序进行了巧妙的创新。相比之下,它从哲学艺术家的角度讨论了L A T E X,艺术(摄影)和“可测量性”概念之间的关系。
How does a coloured bird end up on a TUG boat? This is the story of an artist who studied philosophy and combined her skills in a PhD at the University of Amsterdam ( NL ). In order to write her dissertation, she had to learn the L A TEX typesetting programme. Many years later, she still makes art and still writes down her thoughts in L A TEX, with the Memoir class and X E L A TEX as first choice. Always trying to stretch the limits of the programme to her convenience. This essay is not a technical article written by a developer conjuring up ingenious innovations to the L A TEX programme. By contrast, it discusses the relationship between L A T E X, art (photography) and the concept of ‘measurability’ from the perspective of a philosophising artist.