{"title":"亚瑟·拉克姆想象中的波浪和美人鱼的故事","authors":"G. Goig","doi":"10.5209/REV_AMAL.2014.V6.46526","DOIUrl":null,"url":null,"abstract":"Undines and mermaids, mythical figures of undoubted fascination, have been both a source for literary narrative and artistic inspiration for painters and illustrators who have embellished these texts with their images. This essay focuses on Ondine, by La Motte-Fouque, and The Little Mermaid, by Andersen, as well as on Arthur Rackham’s artistic interpretation of these works.","PeriodicalId":40412,"journal":{"name":"Amaltea-Revista de MitocrItica","volume":"6 1","pages":"287-303"},"PeriodicalIF":0.1000,"publicationDate":"2014-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5209/REV_AMAL.2014.V6.46526","citationCount":"0","resultStr":"{\"title\":\"Historias de ondinas y sirenas en el imaginario de Arthur Rackham\",\"authors\":\"G. Goig\",\"doi\":\"10.5209/REV_AMAL.2014.V6.46526\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Undines and mermaids, mythical figures of undoubted fascination, have been both a source for literary narrative and artistic inspiration for painters and illustrators who have embellished these texts with their images. This essay focuses on Ondine, by La Motte-Fouque, and The Little Mermaid, by Andersen, as well as on Arthur Rackham’s artistic interpretation of these works.\",\"PeriodicalId\":40412,\"journal\":{\"name\":\"Amaltea-Revista de MitocrItica\",\"volume\":\"6 1\",\"pages\":\"287-303\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2014-09-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.5209/REV_AMAL.2014.V6.46526\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Amaltea-Revista de MitocrItica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5209/REV_AMAL.2014.V6.46526\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Amaltea-Revista de MitocrItica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5209/REV_AMAL.2014.V6.46526","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Historias de ondinas y sirenas en el imaginario de Arthur Rackham
Undines and mermaids, mythical figures of undoubted fascination, have been both a source for literary narrative and artistic inspiration for painters and illustrators who have embellished these texts with their images. This essay focuses on Ondine, by La Motte-Fouque, and The Little Mermaid, by Andersen, as well as on Arthur Rackham’s artistic interpretation of these works.
期刊介绍:
Founded in 2008 by José Manuel Losada, Amaltea (ISSN-e 1989-1709) is a journal of myth criticism with intimate connections to Asteria, the International Association of Myth Criticism, and the Universidad Complutense de Madrid. Its object of study is the way ancient, medieval and modern myths are perceived and adapted in literature and the arts from 1900 to the present day.