论赞美与诋毁的伦理学

IF 0.1 4区 文学 0 LITERARY THEORY & CRITICISM
John G. Rodden
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Yes, that question seemingly arises whenever a public issue provokes a major intellectual debate and splits the ranks of the Left and/or Right. Then \"St. George\" is called to arms, with the battle-certified catchwords from Animal Farm and Nineteen Eighty-Four of the \"Big O\" packed in the polemical arsenals of his self-appointed mouthpieces, ready to be fired off at his name-drop. (Indeed, just days after \"9-11,\" the conservative British critic Geoffrey Wheatcroft suggested that British soldiers shipped out to Afghanistan should pack Orwell's essays in their knapsacks.) One could multiply the examples, but the point is clear: More than a half-century after his death, Orwell remains \"a writer well worth stealing,\" as he once said of Dickens. Since his death in January 1950, his soul has been up for grabs. Today, polemically minded intellectuals are still playing what Ben Wattenberg recently referred to in his PBS talk show devoted to Orwell as \"that wonderful parlor game\" called \"How Would Orwell Stand Today?\" (One is tempted to reply: Being 100, he wouldn't.) Nonetheless, the \"game\" often has its illicit darker sides: mantle-stealing, body-snatching, and political grave-robbing. It's an ideological shell game (usually with clever sleight-of-hand), whereby the participants move Orwell's coffin to the left or right. I One recalls the comment of the poet William Empson, Orwell's wartime colleague at the BBC and the author of Seven Types of Ambiguity (1930), on reading Animal Farm: \"You must expect to be 'misunderstood' on a large scale....\" Yes--and he has been. Empson himself reported that his young son, a supporter of the Conservative Party, was \"delighted\" with Animal Farm and considered it \"very strong Tory propaganda\" (Crick, 430). Similar misreadings have occurred with Nineteen Eighty-Four--for instance, during the early Cold War era, the last four digits of the John Birch Society's national number were \"1-9-8-4.\" And, as happened with Orwell and both Animal Farm and Nineteen Eighty-Four, sometimes the author himself inadvertently contributed to such misreadings. \"Orwellian\" misreadings have occurred partly because readers have identified so strongly with him that they have projected their own needs and aspirations on him. Their identifications have been variously induced by Orwell's appeal to readers as a \"rebel\" and an intellectual's \"common man,\" by the perceived moral heroism of his radical humanism, and by the seeming \"purity\" and simplicity of his literary style, among other factors. And then there are also the darker reasons for confusion: because the catchwords of Nineteen Eighty-Four could be easily turned back on him, because his aggressive \"conscience of the Left\" stance could seem like a renegade's anti-socialism, and because politically savvy intellectuals noticed the pilgrim crowds swarming toward his grave--and thus deemed it \"well worth stealing.\" Should we then partly \"blame Orwell\" for cooperating with his kidnappers? Or for a \"lack of foresight\" as to the uses and abuses to which his work have been put since his death? Not at all. Rather, the scrupulous reader's task is to get down to particulars and see how writers sometimes invite or participate in their own appropriation, to see why a writer was so susceptible to such Orwellian \"facecrime,\" as Winston Smith would have (proudly) termed the \"Orwellian\" distortions. …","PeriodicalId":41150,"journal":{"name":"MIDWEST QUARTERLY-A JOURNAL OF CONTEMPORARY THOUGHT","volume":"130 1","pages":"284"},"PeriodicalIF":0.1000,"publicationDate":"2005-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"On the Ethics of Admiration-And Detraction\",\"authors\":\"John G. Rodden\",\"doi\":\"10.4324/9781315634500-13\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"YOU SEE THE placards waved at every rally of the Christian Right, as well as in many gatherings of the Catholic Church and the mainline Protestant sects: \\\"W.W.J.D.?\\\" And yet secular intellectuals are not without their own oracle, and (with the exception of the Marxist Left) the coveted (and presumed) patronage of their patron saint knows no bounds. \\\"The most heterogeneous following a writer can ever have accumulated,\\\" said his close friend, George Woodcock, about Orwell's \\\"faithful\\\" (53). \\\"W.W.G.O.D.?\\\" they ask recurrently. (Why not simply an Orwell website, a cyberspace hotline named www.GOD.net?) As a headline in the New York Times Book Review did indeed phrase it in September 2002, on one-year anniversary of al Qaeda's attacks: \\\"What Would Orwell Do?\\\" (Shulevitch). Yes, that question seemingly arises whenever a public issue provokes a major intellectual debate and splits the ranks of the Left and/or Right. Then \\\"St. George\\\" is called to arms, with the battle-certified catchwords from Animal Farm and Nineteen Eighty-Four of the \\\"Big O\\\" packed in the polemical arsenals of his self-appointed mouthpieces, ready to be fired off at his name-drop. (Indeed, just days after \\\"9-11,\\\" the conservative British critic Geoffrey Wheatcroft suggested that British soldiers shipped out to Afghanistan should pack Orwell's essays in their knapsacks.) One could multiply the examples, but the point is clear: More than a half-century after his death, Orwell remains \\\"a writer well worth stealing,\\\" as he once said of Dickens. Since his death in January 1950, his soul has been up for grabs. Today, polemically minded intellectuals are still playing what Ben Wattenberg recently referred to in his PBS talk show devoted to Orwell as \\\"that wonderful parlor game\\\" called \\\"How Would Orwell Stand Today?\\\" (One is tempted to reply: Being 100, he wouldn't.) Nonetheless, the \\\"game\\\" often has its illicit darker sides: mantle-stealing, body-snatching, and political grave-robbing. It's an ideological shell game (usually with clever sleight-of-hand), whereby the participants move Orwell's coffin to the left or right. I One recalls the comment of the poet William Empson, Orwell's wartime colleague at the BBC and the author of Seven Types of Ambiguity (1930), on reading Animal Farm: \\\"You must expect to be 'misunderstood' on a large scale....\\\" Yes--and he has been. Empson himself reported that his young son, a supporter of the Conservative Party, was \\\"delighted\\\" with Animal Farm and considered it \\\"very strong Tory propaganda\\\" (Crick, 430). Similar misreadings have occurred with Nineteen Eighty-Four--for instance, during the early Cold War era, the last four digits of the John Birch Society's national number were \\\"1-9-8-4.\\\" And, as happened with Orwell and both Animal Farm and Nineteen Eighty-Four, sometimes the author himself inadvertently contributed to such misreadings. \\\"Orwellian\\\" misreadings have occurred partly because readers have identified so strongly with him that they have projected their own needs and aspirations on him. Their identifications have been variously induced by Orwell's appeal to readers as a \\\"rebel\\\" and an intellectual's \\\"common man,\\\" by the perceived moral heroism of his radical humanism, and by the seeming \\\"purity\\\" and simplicity of his literary style, among other factors. 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引用次数: 1

摘要

你可以看到,在基督教右翼的每一次集会上,以及在天主教会和主流新教教派的许多集会上,都挥舞着这样的标语:“W.W.J.D.?”然而,世俗知识分子并非没有自己的神谕,而且(马克思主义左派除外)他们的守护神梦寐以求的(和假定的)庇护是没有界限的。“一个作家所能积累的最多样化的追随者,”他的密友乔治·伍德科克(George Woodcock)这样评价奥威尔的“忠实信徒”(53页)。“W.W.G.O.D.?”他们反复地问。(为什么不干脆建一个奥威尔网站,一个名为www.GOD.net的网络热线呢?)2002年9月,在基地组织袭击一周年之际,《纽约时报书评》(New York Times Book Review)的一个标题确实这样写道:“奥威尔会怎么做?”(Shulevitch)。是的,每当一个公共问题引发了重大的知识分子辩论,并分裂了左翼和/或右翼的行列时,这个问题似乎就会出现。然后,“圣乔治”被召集起来,他自封的喉舌里装满了《动物农场》和《1984》中经过战斗验证的流行语,准备在他的名字出现时开火。(事实上,就在“9-11”事件发生几天后,英国保守派评论家杰弗里·惠特克罗夫特(Geoffrey Wheatcroft)就建议,派往阿富汗的英国士兵应该把奥威尔的随笔装进背包里。)我们可以列举更多的例子,但有一点是明确的:在奥威尔去世半个多世纪后,他仍然是“一个非常值得窃取的作家”,就像他曾经对狄更斯说的那样。自从1950年1月他去世后,他的灵魂就一直在被争夺。今天,有争论意识的知识分子仍在玩本·瓦滕伯格最近在他的PBS脱口秀节目中提到的“奇妙的室内游戏”,这个游戏叫做“奥威尔今天会站在哪里?”(有人很想回答:作为100岁的人,他不会这么做。)尽管如此,这种“游戏”往往有其不正当的阴暗面:偷衣、抢尸、政治盗墓。这是一场意识形态的空壳游戏(通常有巧妙的手法),参与者将奥威尔的棺材向左或向右移动。人们想起了诗人威廉·Empson,他是奥威尔在BBC的战时同事,也是《七种歧义》(1930)的作者,在阅读《动物庄园》时的评论:“你必须做好被大规模‘误解’的准备....”。是的——他一直是这样。Empson自己报告说,他年幼的儿子是保守党的支持者,他对《动物农场》感到“高兴”,并认为它是“非常有力的保守党宣传”(Crick, 430)。类似的误读也发生在《1984》上——例如,在冷战早期,约翰·伯奇协会(John Birch Society)的国家号码的最后四位数字是“1-9-8-4”。而且,就像在奥威尔、《动物农场》和《一九八四》中发生的那样,有时作者本人也会无意中造成这种误读。之所以会出现“奥威尔式”的误读,部分原因是读者对他的认同感如此强烈,以至于他们把自己的需求和愿望投射到他身上。他们的身份认同是由奥威尔对读者的“反叛者”和知识分子的“普通人”的吸引力、他激进的人文主义所体现的道德英雄主义、以及他文学风格表面上的“纯粹”和简单等因素引起的。还有一些更黑暗的原因导致了人们的困惑:因为《一九八四》的口号可以很容易地反作用于他,因为他激进的“左派良心”立场可能看起来像是叛徒的反社会主义,因为政治上精明的知识分子注意到朝拜他的人群涌向他的坟墓——因此认为这是“非常值得偷的”。那么,我们是否应该部分地“责怪奥威尔”与绑匪合作呢?还是因为他“缺乏远见”,没有意识到他的作品在他死后被利用或滥用?一点也不相反,细心的读者的任务是深入细节,看看作家有时是如何邀请或参与他们自己的挪用,看看为什么一个作家如此容易受到这种奥威尔式的“面部犯罪”的影响,温斯顿·史密斯(Winston Smith)会(自豪地)称之为“奥威尔式的”扭曲。…
本文章由计算机程序翻译,如有差异,请以英文原文为准。
On the Ethics of Admiration-And Detraction
YOU SEE THE placards waved at every rally of the Christian Right, as well as in many gatherings of the Catholic Church and the mainline Protestant sects: "W.W.J.D.?" And yet secular intellectuals are not without their own oracle, and (with the exception of the Marxist Left) the coveted (and presumed) patronage of their patron saint knows no bounds. "The most heterogeneous following a writer can ever have accumulated," said his close friend, George Woodcock, about Orwell's "faithful" (53). "W.W.G.O.D.?" they ask recurrently. (Why not simply an Orwell website, a cyberspace hotline named www.GOD.net?) As a headline in the New York Times Book Review did indeed phrase it in September 2002, on one-year anniversary of al Qaeda's attacks: "What Would Orwell Do?" (Shulevitch). Yes, that question seemingly arises whenever a public issue provokes a major intellectual debate and splits the ranks of the Left and/or Right. Then "St. George" is called to arms, with the battle-certified catchwords from Animal Farm and Nineteen Eighty-Four of the "Big O" packed in the polemical arsenals of his self-appointed mouthpieces, ready to be fired off at his name-drop. (Indeed, just days after "9-11," the conservative British critic Geoffrey Wheatcroft suggested that British soldiers shipped out to Afghanistan should pack Orwell's essays in their knapsacks.) One could multiply the examples, but the point is clear: More than a half-century after his death, Orwell remains "a writer well worth stealing," as he once said of Dickens. Since his death in January 1950, his soul has been up for grabs. Today, polemically minded intellectuals are still playing what Ben Wattenberg recently referred to in his PBS talk show devoted to Orwell as "that wonderful parlor game" called "How Would Orwell Stand Today?" (One is tempted to reply: Being 100, he wouldn't.) Nonetheless, the "game" often has its illicit darker sides: mantle-stealing, body-snatching, and political grave-robbing. It's an ideological shell game (usually with clever sleight-of-hand), whereby the participants move Orwell's coffin to the left or right. I One recalls the comment of the poet William Empson, Orwell's wartime colleague at the BBC and the author of Seven Types of Ambiguity (1930), on reading Animal Farm: "You must expect to be 'misunderstood' on a large scale...." Yes--and he has been. Empson himself reported that his young son, a supporter of the Conservative Party, was "delighted" with Animal Farm and considered it "very strong Tory propaganda" (Crick, 430). Similar misreadings have occurred with Nineteen Eighty-Four--for instance, during the early Cold War era, the last four digits of the John Birch Society's national number were "1-9-8-4." And, as happened with Orwell and both Animal Farm and Nineteen Eighty-Four, sometimes the author himself inadvertently contributed to such misreadings. "Orwellian" misreadings have occurred partly because readers have identified so strongly with him that they have projected their own needs and aspirations on him. Their identifications have been variously induced by Orwell's appeal to readers as a "rebel" and an intellectual's "common man," by the perceived moral heroism of his radical humanism, and by the seeming "purity" and simplicity of his literary style, among other factors. And then there are also the darker reasons for confusion: because the catchwords of Nineteen Eighty-Four could be easily turned back on him, because his aggressive "conscience of the Left" stance could seem like a renegade's anti-socialism, and because politically savvy intellectuals noticed the pilgrim crowds swarming toward his grave--and thus deemed it "well worth stealing." Should we then partly "blame Orwell" for cooperating with his kidnappers? Or for a "lack of foresight" as to the uses and abuses to which his work have been put since his death? Not at all. Rather, the scrupulous reader's task is to get down to particulars and see how writers sometimes invite or participate in their own appropriation, to see why a writer was so susceptible to such Orwellian "facecrime," as Winston Smith would have (proudly) termed the "Orwellian" distortions. …
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