康拉德关于差异的叙述:不完全是男孩的故事

Q2 Arts and Humanities

ENGLISH LITERATURE IN TRANSITION 1880-1920 Pub Date : 2013-12-16 DOI:10.4324/9781315024455

Lissa Schneider

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引用次数: 8

摘要

引言:不完全是男孩的故事形象学与女性理想:《黑暗之心》、《吉姆勋爵》、《营救》和《归来》中的火把、眼罩和“女性气质的真光”2。情节与表演:康拉德在《七岛的芙蕾雅》、《西方人的目光下》、《离岛者》和《营救3》中的“玩弄女孩”。殖民占领:《进步的前哨》和《水仙号》中的种族和性别政治在家里:类型，叙事和国内戏剧的秘密特工，黑暗的心，和吉姆勋爵尾达:叙事，女性气质，死亡

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Conrad's narratives of difference : not exactly tales for boys

Introduction: Not Exactly Tales for Boys 1. Iconography and the Feminine Ideal: Torches, Blindfolds, and the "true light of femininity" in Heart of Darkness, Lord Jim, The Rescue, and "The Return" 2. Plots and Performance: Conrad's "tricks with girls" in "Freya of the Seven Isles," Under Western Eyes, An Outcast of the Islands, and The Rescue 3. Colonial Occupations: Race and Gender in "An Outpost of Progress" and The Nigger of the "Narcissus" 4. Politics in the House: Genre, Narrative, and the Domestic Drama in The Secret Agent, Heart of Darkness, and Lord Jim Coda: Narrative, Femininity, Death

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ENGLISH LITERATURE IN TRANSITION 1880-1920 LITERATURE, BRITISH ISLES-

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