死亡美学的诗意探索

OAlib Pub Date : 2023-01-01 DOI:10.4236/oalib.1110513
Yuqing Li, Ming Zhang
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引用次数: 0

摘要

本文探讨了19世纪约翰·济慈的著名作品《夜莺颂》和20世纪怀斯坦·休·奥登的代表作《死亡的回声》中死亡美学的表现。通过从“死亡的意象”、“诗意的智慧”和深刻的“酒神精神”三个不同的角度来进行探索。作者细致地剖析了这两位幻想家的诗歌创作。主要目的是解开死亡的内在深度,以及通过他们非凡的诗句所传达的复杂的美学含义。根据所进行的广泛研究,很明显,这些有天赋的诗人将对死亡的沉思与他们的诗歌表达无缝地融合在一起,从而开始了对生命神秘方面的形而上学探索。他们对死亡的敬畏与对生命的热烈珍惜交织在一起,赋予了一种超越的慰藉,最终在审美张力和永恒存在与虚无王国的融合之间产生了复杂的相互作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Poetic Exploration of Death Aesthetics
This paper inquiry delves into the representation of death’s aesthetics within John Keats’ renowned composition “Ode to a Nightingale”, originating in the 19th century, and Wystan Hugh Auden’s poignant masterpiece, “Echo of Death”, which emerged in the 20th century. By approaching this exploration from three distinct vantage points, namely the “imagery of death”, “poetic wisdom”, and the profound “Dionysian spirit”. The author meticulously dis-sects the poetic creations of both visionaries. The primary objective is to un-ravel the inherent profundity of death and its intricate aesthetic implications as conveyed through their remarkable verses. In light of the extensive research conducted, it becomes evident that these gifted poets seamlessly merged the contemplation of mortality with their poetic expressions, thereby embarking upon a metaphysical exploration of life’s enigmatic facets. The in-tertwining of their reverence for death with an ardent cherishment of life imparts a transcendent solace, ultimately giving rise to an intricate interplay between aesthetic tension and the fusion of eternal existence with the realm of nothingness.
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