{"title":"在樱桃园","authors":"Wan Pang-jie","doi":"10.5040/9781580814300.p01","DOIUrl":null,"url":null,"abstract":"In this paper, I'll study how The Cherry Orchard borrows some of the Aristotlian formulation of tragedy but creates a comedy. The Cherry Orchard conforms to Aristotle's definition of tragedy in the aspects of plot arrangement, character, and emotional purgation, which however, are transformed into a comic form in the play.","PeriodicalId":59304,"journal":{"name":"信阳师范学院学报(自然科学版)","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2004-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"29","resultStr":"{\"title\":\"On The Cherry Orchard\",\"authors\":\"Wan Pang-jie\",\"doi\":\"10.5040/9781580814300.p01\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this paper, I'll study how The Cherry Orchard borrows some of the Aristotlian formulation of tragedy but creates a comedy. The Cherry Orchard conforms to Aristotle's definition of tragedy in the aspects of plot arrangement, character, and emotional purgation, which however, are transformed into a comic form in the play.\",\"PeriodicalId\":59304,\"journal\":{\"name\":\"信阳师范学院学报(自然科学版)\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2004-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"29\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"信阳师范学院学报(自然科学版)\",\"FirstCategoryId\":\"1092\",\"ListUrlMain\":\"https://doi.org/10.5040/9781580814300.p01\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"信阳师范学院学报(自然科学版)","FirstCategoryId":"1092","ListUrlMain":"https://doi.org/10.5040/9781580814300.p01","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
In this paper, I'll study how The Cherry Orchard borrows some of the Aristotlian formulation of tragedy but creates a comedy. The Cherry Orchard conforms to Aristotle's definition of tragedy in the aspects of plot arrangement, character, and emotional purgation, which however, are transformed into a comic form in the play.
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