数字文化产品:来自虚拟环境的概念思考

Pub Date : 2016-01-22 DOI:10.5007/1518-2924.2016V21N45P54
Marina Gowert dos Reis, J. Serres, João Fernando Igansi Nunes
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引用次数: 3

摘要

数字文化遗产,无论是数字起源还是数字复制,都是官方保护文件中考虑的一个类别,例如联合国教科文组织于2003年出版的《数字遗产保护宪章》。这也是遗产机构所理解的实践,他们在这些资源中追求保护档案和扩大公众访问的机会。本文的重点是讨论从这些实践中产生的数字文化资产。为此,我们讨论了原始-复制二分法的变化,数字资产作为记忆、观察和想象的背景,以及概念和保护主义指导方针与非物质文化遗产的近似。
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Bens culturais digitais: reflexões conceituais a partir do contexto virtual
The digital cultural heritage, either of digital genesis or duplication, is a category considered in official documents on preservation, such as the Charter on Digital Heritage Preservation, published by UNESCO in 2003. It is also practice understood by heritage institutions, which pursue in these resources the protection of archives and the expansion of access by the public. The focus of this article is to discuss the digital cultural assets that arise from these practices. To this end, we discuss the changes in the original-copy dichotomy, the context of the digital asset as remembered, observed and imagined, and the approximation of the conceptual and preservationist guidelines with the intangible cultural heritage.
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