无路之海:英国浪漫主义的置换

K. O’Loughlin
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引用次数: 0

摘要

玛丽·雪莱的《弗兰肯斯坦》(1818)叙述了流放和流离失所,几乎在文本的每个层面都以主题和形式实现了这些。它探索了人类运动和人类社会的可能性,不仅是雪莱对她个人环境的回应,也是对被23年战争撕裂的欧洲的回应。本文通过维克多·弗兰肯斯坦(Victor Frankenstein)和他的“生物”(Creature)的运动来思考小说中好客和友谊的哲学项目,追踪他们在面对家庭、国家和人类的连续流离失所时试图建立社会和情感纽带。本文是“地中海及其周边地区的流动性和流离失所:历史方法”专题部分的一部分,由Catia Antunes和giedr立陶宛Blažytė客座编辑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Pathless Seas: Configuring Displacement in British Romanticism
Mary Shelley’s Frankenstein (1818) narrativizes exile and displacement by enacting these thematically and formally at almost every level of the text. Exploring human movement and the possibility of human community, it constitutes Shelley’s response not only to her personal circumstances, but also to a Europe riven by twenty-three years of war. This essay considers the novel’s philosophical project of hospitality and friendship through the movements of Victor Frankenstein and his “Creature”, tracking their attempts to forge social and emotional bonds in the face of successive displacements from family, nation, and humanity generally. This article is part of the special theme section on Mobility and Displacement in and around the Mediterranean: A Historical Approach, guest-edited by Catia Antunes and Giedrė Blažytė.
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来源期刊
Ler Historia
Ler Historia Arts and Humanities-History
CiteScore
0.60
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0.00%
发文量
30
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