{"title":"一个社会的当代<s:1>恐怖主义组织espetáculo","authors":"É. Corrêa","doi":"10.4013/VER.2016.30.74.02","DOIUrl":null,"url":null,"abstract":"With the coming of interactive media, the concept of Society of the Spectacle reaches a new level, in which the image acquires a crucial role in the interactions between governments, societies and extremist groups. These interactions, however, are being established through the promotion of violence and terror as a way of political articulation. In this sense, this article presents a discussion about the concept of Society of the Spectacle and about some functions of the image in the contemporary world. Keywords: Society of the Spectacle, interactive media, terrorism.","PeriodicalId":30199,"journal":{"name":"Verso e Reverso","volume":"30 1","pages":"103-109"},"PeriodicalIF":0.0000,"publicationDate":"2016-02-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A sociedade contemporânea e o espetáculo do terror\",\"authors\":\"É. Corrêa\",\"doi\":\"10.4013/VER.2016.30.74.02\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"With the coming of interactive media, the concept of Society of the Spectacle reaches a new level, in which the image acquires a crucial role in the interactions between governments, societies and extremist groups. These interactions, however, are being established through the promotion of violence and terror as a way of political articulation. In this sense, this article presents a discussion about the concept of Society of the Spectacle and about some functions of the image in the contemporary world. Keywords: Society of the Spectacle, interactive media, terrorism.\",\"PeriodicalId\":30199,\"journal\":{\"name\":\"Verso e Reverso\",\"volume\":\"30 1\",\"pages\":\"103-109\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-02-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Verso e Reverso\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4013/VER.2016.30.74.02\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Verso e Reverso","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4013/VER.2016.30.74.02","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A sociedade contemporânea e o espetáculo do terror
With the coming of interactive media, the concept of Society of the Spectacle reaches a new level, in which the image acquires a crucial role in the interactions between governments, societies and extremist groups. These interactions, however, are being established through the promotion of violence and terror as a way of political articulation. In this sense, this article presents a discussion about the concept of Society of the Spectacle and about some functions of the image in the contemporary world. Keywords: Society of the Spectacle, interactive media, terrorism.