视听语言中的跨文化:异化、复制、杂交和整理

J. Ferreira, H. Janzen
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引用次数: 1

摘要

在巴赫金的语言和文化观点中,他者性原则是延续性的,因此,在本研究中,我们试图通过米哈伊尔·巴赫金理论的棱镜,尤其是跨文化关系的组成部分——异域性/视觉盈余——来理解交际中的跨文化性,以电影语言为例。因此,本文分析了电影《十字路口》中尤金·马尔托内和威利·布朗所经历的一些跨文化关系。考虑到电影语言的复杂性,我们的方法集中在人物之间的跨文化关系的发展,这使得复制,杂交和整理的概念具体化,在语言和文化的对话视角中,在艺术宇宙内外,最终在人类活动的所有领域都是可能的。关键词:视听,传播,跨文化,语言,巴赫金
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A interculturalidade na linguagem audiovisual: estranhamento, duplicação, hibridização e acabamento
In Bakhtin’s view of language and culture the principle of otherness is medullary, therefore, in this research we seek for an understanding of the interculturality in communication, illustrated in film language, through the prism of the theory of Mikhail Bakhtin, especially the ideas of exotopy/ vision surplus , components of intercultural relations. Thus, this article is an analysis of some intercultural relations experienced by the characters Eugene Martone and Willie Brown in the movie Crossroads. Considering the complexity of film language, our approach concentrated on the development of the intercultural relationship between the characters, which gave concreteness to the concepts of duplication, hybridization and finishing , central amalgam in the dialogical perspective on language and culture, both inside and outside the artistic universe, at last, possible in all fields of human activity. Keywords: audiovisual, communication, interculturality, language, Mikhail Bakhtin.
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