比较情境下的音乐知觉:鸽子的关系和弦知觉

Pub Date : 2017-01-01 DOI:10.3819/CCBR.2017.120005
R. Cook
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引用次数: 1

摘要

人类创造力和艺术表达的证据可以追溯到4万多年前。了解这些人类认知能力的进化前体越来越多地集中在动物实验的比较研究上。在这里,我们回顾了关于鸽子三联和弦感知的新证据,以评估它们潜在体验音乐序列的听觉和认知机制。鸽子为比较调查提供了一个重要的视角,因为它们是一种不会唱歌的鸟,没有学会声乐。通过使用关系相同/不同辨别法收集的观察结果,鸽子显示出区分五种和弦类型的能力。这些和弦之间的相对相似性与之前在人类身上发现的相似。对这种区别的进一步分析表明,鸽子可能会处理组成更大和声结构的单个音调。结果表明,鸽子可以在几秒钟内区分、记忆和比较顺序谐波结构。尽管有这些听觉能力,但人们对这种特殊鸟类的这种辨别的最终“音乐性”提出了质疑。
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Music Perception in a Comparative Context: Relational Chord Perception by Pigeons
Evidence of human creativity and artistic expression goes back more than 40,000 years. Understanding the evolutionary precursors of these human cognitive capacities has increasingly focused on comparative investigations testing animals. Here we review new evidence about triadic chord perception in pigeons to evaluate their auditory and cognitive mechanisms for potentially experiencing musical-like sequences. Pigeons add an important perspective to comparative investigations because they are a nonsongbird with an unlearned vocal repertoire. Using observations collected using a relational same/different discrimination, pigeons showed a capacity to discriminate five chord types. The relative similarity perceived among the chords was similar to that previously found in humans. Further analyses of this discrimination suggest pigeons may possibly process the individual tones that compose the larger harmonic structure of the chords. The results reveal that pigeons can discriminate, remember, and compare sequential harmonic structures over several seconds. Despite these auditory capabilities, doubts are raised as to the ultimate “musicality” of these kinds of discriminations in this particular bird species.
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