《被诅咒的时间》:吉尔·德勒兹的《差异与重复》和约翰·麦格亨的《他们可能面对初升的太阳》

G. Price
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摘要

摘要:本文分析了吉尔·德勒兹(Gilles Deleuze)的哲学思想与约翰·麦格亨(John McGahern)的最后一部小说《他们可能面对升起的太阳》(2002)之间的联系。德勒兹1968年的著作《差异与重复》是德勒兹与菲利克斯·瓜塔里著名的反俄狄浦斯合作之前的主要个人作品之一(还有《感觉的逻辑》)。需要指出的是,德勒兹对时间性和人类与自然环境的关系的概念化在麦克加恩的《他们可能面对》一书中找到了完美的文学实现,因为他试图提供一种当代爱尔兰超越詹姆斯·乔伊斯的历史噩梦和塞缪尔·贝克特的角色波佐所说的“被诅咒的时间”的麻木习惯的愿景。莎士比亚、普鲁斯特、乔伊斯和贝克特是最能使德勒兹和麦克加恩产生共同热情的四位文学作家,在本文的整个过程中,他们被认为是麦克加恩和德勒兹之间的中介。我们认为,德勒兹的观点是当代爱尔兰文学的核心,而《他们可能面对初升的太阳》代表了这一文学流派的主要文本范例。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Accursed Time”: Gilles Deleuze’s Difference and Repetition and John McGahern’s That They May Face the Rising Sun
Abstract: This article analyses the connecting threads between the philosophies of Gilles Deleuze – as they appear in his 1968 text Difference and Repetition, which is one of Deleuze’s major solo works (along with The Logic of Sense) prior to his famous, anti-Oedipal collaborations with Felix Guattari – and the final novel written by John McGahern, That They May Face the Rising Sun (2002). It shall be argued that Deleuze’s conceptualisations of temporality and humanity’s relationship with its physical surroundings find their perfect literary realisations in the pages of McGahern’s That They May Face as he attempts to provide a vision of contemporary Ireland’s transcending of James Joyce’s nightmare of history and the deadening habit of what Samuel Beckett’s character Pozzo calls “accursed time”. Shakespeare, Proust, Joyce, and Beckett are the four literary authors who most unite Deleuze and McGahern in shared enthusiasm and they shall be considered as mediating presences between McGahern and Deleuze throughout the course of the article. It shall be argued that a Deleuzian vision lies at the heart of contemporary Irish literature and that That They May Face the Rising Sun represents a primary textual example of this literary strand.
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