在消费文化中创造价值

Daniel Adrian Gârdan, G. Epuran, I. Gârdan
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引用次数: 2

摘要

文化消费问题是现代营销理论中一个特别关注的问题。文化可以被看作是知识、信仰、价值观、态度、符号等的代表,在一定时期内由一群人发展起来,在社会学习过程的帮助下传播给群体内的其他几代人。因此,文化消费将自身等同于对任何产品、服务或其组合的消费,直接导致文化的表现,特定于某一文化空间的艺术创造力的表达。本文从文化消费的具体特征出发,对这一现象进行分析。本文回顾了现代文化消费者的特征,个人受教育程度与文化消费之间的关系,以及文化消费者通过自己的贡献而使艺术产品的价值创造过程或内在价值增加的关系。作者强调,在定义文化消费的极其复杂的过程中,消费者可以扮演积极的角色,反过来成为文化产品和服务价值创造和传播的共同参与者。现代消费者比以往任何时候都更多地受益于信息技术提供的优势,被要求在文化消费方面回应后现代主义范式的重大挑战。全球化和其他社会经济和政治现象深刻地改变了个人与文化之间、自我与社会其他成员之间的报告,导致文化消费、文化消费者类型学、尤其是与文化产品和服务相关的艺术表现形式的综合和本质转变。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
CREATING VALUE WITHIN CONSUMPTION CULTURE
The issue of culture consumption is a particular concern within the modern marketing theory. Culture can be seen as representing a body of knowledge, beliefs, values, attitudes, symbols etc, developed in a certain period of time by a group of individuals, items transmitted with the help of a social learning process to other generations within the group. Thus, the consumption of culture will identify itself with the consumption of any product, service or a combination of them, directly resulted as manifestation of culture, expressions of artistic creativity specific for a certain cultural space. The present paper proposes the analysis of the phenomenon referring to the culture consumption in terms of specific characteristics. The paper reviews the features specific to the modern consumer of culture, the relationship that exists between the individuals’ level of education and the culture consumption and value creation process or augmentation of the intrinsic value of an artistic product as a result of the contribution that the culture consumer can bring himself. The authors highlight the fact that within extremely complex processes which are defining the culture consumption, consumers can assume an active role, becoming on their turn co-participants in the cultural goods and services value creation and transmission. The modern consumer benefits more than ever from the advantages offered by the information technology, being called to respond to major challenges of the postmodernism paradigm in terms of culture consumption. Globalization and other social economic and politic phenomena have profoundly changed the reports between individual and culture, between self and other members of the society, causing synthesis and essential transformations of culture consumption, of culture consumers typologies, and not least of the very forms of artistic expression related to cultural goods and services.
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