费城的形成:自然环境及其科学和艺术历史

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
N. Slipp
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引用次数: 0

摘要

作为北美的殖民中心和美国的第一个国会大厦,费城是美国艺术和科学发展的中心参与者。这篇文章回顾了最近的三篇文章,试图理解费城艺术和科学的相互联系的本质:伊丽莎白·米尔罗伊的《网格和河流:费城的绿地,1682-1876》,艾米·r·w·迈尔斯的《认识自然:费城的艺术和科学,1740-1840》,以及艾伦·c·布拉多克和劳拉·特纳·伊戈的《格林乡村小镇:文化想象中的费城生态》。每一卷都确定了关键人物、对象和文本,这些都是理解费城自然环境和城市艺术和科学发展不可或缺的一部分
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Making of Philadelphia: The Natural Environment and Its Scientific and Artistic Histories
As a colonial centre of North America and the first capitol of the United States, the city of Philadelphia was a central participant in the development of American art and science. This essay reviews three recent texts that seek to understand the interconnected nature of art and science in Philadelphia: Elizabeth Milroy’s The Grid and the River: Philadelphia’s Green Places, 1682–1876, Amy R.W. Myers’s Knowing Nature: Art and Science in Philadelphia, 1740–1840, and Alan C. Braddock and Laura Turner Igoe’s A Greene Country Towne: Philadelphia’s Ecology in the Cultural Imagination. Each volume identifies key figures, objects, and texts that are integral to understanding Philadelphia’s natural environment and the flowering of art and science in the city
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来源期刊
CANADIAN REVIEW OF AMERICAN STUDIES
CANADIAN REVIEW OF AMERICAN STUDIES HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.20
自引率
0.00%
发文量
26
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