{"title":"“另一种清晰”:审美现象和启示现象","authors":"J. Greisch","doi":"10.34291/bv2022/01/greisch","DOIUrl":null,"url":null,"abstract":"Among the numerous exegetical, philosophical and theological questions raised by the Biblical narrative of the Burning Bush, the question of the family resemblance between some aesthetic experiences and the experience of Revelation proper deserves a particular interest from a phenomenogical point of view. The present essay addresses this question in reference to the First Part of Jean-Luc Marion’s monumental “Essay”: D’ailleurs, la Révélation (2020).","PeriodicalId":45019,"journal":{"name":"Bogoslovni Vestnik-Theological Quarterly-Ephemerides Theologicae","volume":"1 1","pages":""},"PeriodicalIF":0.7000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"« Une autre clarté » : la phénoménalité esthétique\\net la phénoménalité de la Révélation\",\"authors\":\"J. Greisch\",\"doi\":\"10.34291/bv2022/01/greisch\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Among the numerous exegetical, philosophical and theological questions raised by the Biblical narrative of the Burning Bush, the question of the family resemblance between some aesthetic experiences and the experience of Revelation proper deserves a particular interest from a phenomenogical point of view. The present essay addresses this question in reference to the First Part of Jean-Luc Marion’s monumental “Essay”: D’ailleurs, la Révélation (2020).\",\"PeriodicalId\":45019,\"journal\":{\"name\":\"Bogoslovni Vestnik-Theological Quarterly-Ephemerides Theologicae\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Bogoslovni Vestnik-Theological Quarterly-Ephemerides Theologicae\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.34291/bv2022/01/greisch\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"RELIGION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bogoslovni Vestnik-Theological Quarterly-Ephemerides Theologicae","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.34291/bv2022/01/greisch","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
« Une autre clarté » : la phénoménalité esthétique
et la phénoménalité de la Révélation
Among the numerous exegetical, philosophical and theological questions raised by the Biblical narrative of the Burning Bush, the question of the family resemblance between some aesthetic experiences and the experience of Revelation proper deserves a particular interest from a phenomenogical point of view. The present essay addresses this question in reference to the First Part of Jean-Luc Marion’s monumental “Essay”: D’ailleurs, la Révélation (2020).