当代英国小说中问题-主题单元“金融”的再现

D. Drozdovskyi
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引用次数: 0

摘要

问题主题单元“金融”在理论著作《劳特利奇21世纪文学小说指南》(2018)中进行了概述。这个单元的重要性是由于文本的存在,在其中理解人物的世界观,重要的是要考虑到社会经济环境,其中的人物生活和影响他们的行为。在扎迪·史密斯的小说《NW》(2012)、贾斯汀·卡特赖特的小说《别人的钱》(2011)和乔纳森·科的小说《麦克斯韦·西姆的可怕隐私》(2010)中,作者对金钱的形象进行了新的表述,使金钱远离物质世界,成为一种超越性的价值。货币过程被认为是虚构的现象,角色通过推测来感知。这导致了灾难和痛苦的经历,因为他们失去了工作的特点和整个银行业危机。小说中金钱的表现利用了当代英国作家发现与德国哲学和康德主义思想有关的趋势的趋势。金钱不是获得物质商品的一种形式,而是一种工具,表明角色能够创造另一个虚拟世界,这可以作为一种投机现象存在。这一系列小说证实了B. Shalahinov的观点,即德国浪漫主义哲学思想的源泉对现代和后后现代时期都是有益的,特别是在英国后后现代小说中得到了利用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Representation of the Problem-Thematic Unit “Finance” in the Contemporary British Novel
The problem-thematic unit “Finance” is outlined in the theoretical work “The Routledge Companion to Twenty-First Century Literary Fiction” (2018). The importance of this unit is due to the presence of texts in which to understand the worldview of the characters it is important to take into account the socio-economic environment in which the characters live and which affects their behavior. In the novels “NW” (2012) by Zadie Smith, “Other People’s Money” (2011) by Justin Cartwright and “The Terrible Privacy of Maxwell Sim” (2010) by Jonathan Coe, the writers offer a new representation of the image of money, which distances money from the material world and becomes a transcendental value. Monetary processes are perceived as imaginary phenomena that the characters perceive speculatively. This leads to cataclysms and painful experiences arising from the loss of the characters of their work and the total banking crisis. The representation of money in the novels exploits the tendency that contemporary British authors discover trends related to German philosophy and the ideas of Kantianism. Money is not a form of achieving material goods, but a tool that shows that the characters are able to create another virtual world, which can exist as a speculative phenomenon. The presented range of novels confirms the ideas of B. Shalahinov that the sources of philosophical thought of German Romanticism were nourishing both for the Modern period and the Post-postmodern one, in particular exploited in the British post-postmodern novels.
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