[论文]利用滤波系数的线性传感器相机扫描玻璃干板的色彩再现

IF 0.5 Q4 ENGINEERING, ELECTRICAL & ELECTRONIC
Peng Wang, J. A. Toque, A. Ide-Ektessabi
{"title":"[论文]利用滤波系数的线性传感器相机扫描玻璃干板的色彩再现","authors":"Peng Wang, J. A. Toque, A. Ide-Ektessabi","doi":"10.3169/mta.9.287","DOIUrl":null,"url":null,"abstract":"Cultural heritage objects are threatened with the destruction caused by decay or damage due to aging, unpredictable natural and man-made disaster such as fire, earthquake, and war. Deterioration or disappearance of any cultural or natural heritage constitutes a great loss to all nations of the world. Due to the precious nature of cultural heritage, it is necessary to choose a proper solution for their preservation and conservation. There are various methods nowadays that can record different information of cultural heritage, such as color, shape, spectral reflectance, etc. Such recording methods also refer to digital archiving which has been gathering increasing interests of researchers in the past few years1, 2). The motivation is to ensure that future generations could inherit and admire these amazing works. A variety of technologies have been applied to the preservation of cultural heritage. Photography is one of the leading techniques which provides a new frontier to the field of archiving. However, due to the limitation of the technique development in the old days, some of the archiving results cannot satisfy all the demands, especially in some exceptional scenarios. For an instance, Horyuji Kondo wall painting, which belongs to UNESCO World Heritage Site under the name Buddhist Monuments in the Horyuji Area, was photographed onto a one-to-one scale glass dry plate with multiband filters (Appearance color: Yellow, Red, Green, Blue) 85 years ago (1935) 3). These glass-based dry plates are the only documentation material that recorded the original appearance of the wall painting during that time, but the coating layer is now fragile and sensitive to storage conditions4). A calamitous fire that broke out later in 1949 which resulted in the severe damage to the wall paintings5). Fortunately, the color image of the wall painting can be reproduced using the glass dry plates by a traditional technique with the negative-positive process. However, this reproducing process that is known as collotype printing6), reproduces the color by a trained craftsman using the glass dry plates manually. The only evaluation criteria for the reproduction is the experience of the craftsman. This is very subjective. Area sensor-based imaging system is widely used in the digital archiving nowadays. This technique can accomplish the image acquisition work easily and efficiently. Such imaging system offers fairly uniform light distribution, relatively high resolution and relatively accurate color rendering7). However, if an area sensor-based imaging system and a linear sensor-based imaging system are compared under an identical imaging setup condition including the same theoretical imaging resolution, the light source, etc., it has some Abstract A method for color reproduction of old glass dry plates digitized by a linear sensor camera is proposed. A high-resolution scanner based on linear sensor camera was developed for digitizing glass plates, which is beneficial for high-quality color reproduction. The color reproduction uses filter coefficient calculated from color information of multiband filters. An approach for the calculation of filter coefficient used for color reproduction is addressed in detail. The method was applied to the digitization and color reproduction of a wall painting belonging to World Cultural Heritage Horyuji Kondo, Japan. A verification experiment is conducted to evaluate the accuracy of color reproduction results. Experimental results show that the proposed method is capable of high-quality color reproduction of image details, and there is merit to using this high-resolution digitization techniques for cultural heritage.","PeriodicalId":41874,"journal":{"name":"ITE Transactions on Media Technology and Applications","volume":"1 1","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"[Paper] Color Reproduction of Glass Dry Plate Scanned by a Linear Sensor Camera Using Filter Coefficient\",\"authors\":\"Peng Wang, J. A. Toque, A. Ide-Ektessabi\",\"doi\":\"10.3169/mta.9.287\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Cultural heritage objects are threatened with the destruction caused by decay or damage due to aging, unpredictable natural and man-made disaster such as fire, earthquake, and war. Deterioration or disappearance of any cultural or natural heritage constitutes a great loss to all nations of the world. Due to the precious nature of cultural heritage, it is necessary to choose a proper solution for their preservation and conservation. There are various methods nowadays that can record different information of cultural heritage, such as color, shape, spectral reflectance, etc. Such recording methods also refer to digital archiving which has been gathering increasing interests of researchers in the past few years1, 2). The motivation is to ensure that future generations could inherit and admire these amazing works. A variety of technologies have been applied to the preservation of cultural heritage. Photography is one of the leading techniques which provides a new frontier to the field of archiving. However, due to the limitation of the technique development in the old days, some of the archiving results cannot satisfy all the demands, especially in some exceptional scenarios. For an instance, Horyuji Kondo wall painting, which belongs to UNESCO World Heritage Site under the name Buddhist Monuments in the Horyuji Area, was photographed onto a one-to-one scale glass dry plate with multiband filters (Appearance color: Yellow, Red, Green, Blue) 85 years ago (1935) 3). These glass-based dry plates are the only documentation material that recorded the original appearance of the wall painting during that time, but the coating layer is now fragile and sensitive to storage conditions4). A calamitous fire that broke out later in 1949 which resulted in the severe damage to the wall paintings5). Fortunately, the color image of the wall painting can be reproduced using the glass dry plates by a traditional technique with the negative-positive process. However, this reproducing process that is known as collotype printing6), reproduces the color by a trained craftsman using the glass dry plates manually. The only evaluation criteria for the reproduction is the experience of the craftsman. This is very subjective. Area sensor-based imaging system is widely used in the digital archiving nowadays. This technique can accomplish the image acquisition work easily and efficiently. Such imaging system offers fairly uniform light distribution, relatively high resolution and relatively accurate color rendering7). However, if an area sensor-based imaging system and a linear sensor-based imaging system are compared under an identical imaging setup condition including the same theoretical imaging resolution, the light source, etc., it has some Abstract A method for color reproduction of old glass dry plates digitized by a linear sensor camera is proposed. A high-resolution scanner based on linear sensor camera was developed for digitizing glass plates, which is beneficial for high-quality color reproduction. The color reproduction uses filter coefficient calculated from color information of multiband filters. An approach for the calculation of filter coefficient used for color reproduction is addressed in detail. The method was applied to the digitization and color reproduction of a wall painting belonging to World Cultural Heritage Horyuji Kondo, Japan. A verification experiment is conducted to evaluate the accuracy of color reproduction results. Experimental results show that the proposed method is capable of high-quality color reproduction of image details, and there is merit to using this high-resolution digitization techniques for cultural heritage.\",\"PeriodicalId\":41874,\"journal\":{\"name\":\"ITE Transactions on Media Technology and Applications\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2021-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ITE Transactions on Media Technology and Applications\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3169/mta.9.287\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"ENGINEERING, ELECTRICAL & ELECTRONIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ITE Transactions on Media Technology and Applications","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3169/mta.9.287","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"ENGINEERING, ELECTRICAL & ELECTRONIC","Score":null,"Total":0}
引用次数: 0

摘要

由于老化、火灾、地震、战争等不可预测的自然灾害和人为灾害,文物受到腐烂或破坏的威胁。任何文化或自然遗产的恶化或消失都是世界各国的重大损失。由于文化遗产的宝贵性质,有必要选择一个适当的解决方案来保护和保护它们。现在有各种各样的方法可以记录文化遗产的不同信息,如颜色、形状、光谱反射率等。这种记录方式也指的是数字存档,在过去的几年里,数字存档引起了研究者们越来越多的兴趣(1,2)。这样做的动机是为了确保后代能够继承和欣赏这些惊人的作品。各种各样的技术被应用于文化遗产的保护。摄影是一种领先的技术,它为档案领域提供了一个新的前沿。然而,由于过去技术发展的限制,一些归档结果不能满足所有的需求,特别是在一些特殊情况下。例如,被联合国教科文组织列为世界遗产的“法隆寺地区佛教遗迹”的近藤法隆寺壁画,是用多波段滤光片在1:1比例的玻璃干板上拍摄的(外观颜色:(黄、红、绿、蓝)85年前(1935年)这些以玻璃为基材的干板是当时唯一记录壁画原貌的文献材料,但涂层现在很脆弱,对储存条件很敏感。1949年晚些时候发生了一场灾难性的火灾,导致壁画严重受损。幸运的是,壁画的彩色图像可以用传统的技术用负正法在玻璃干板上再现。然而,这种被称为凹版印刷的复制工艺是由训练有素的工匠用玻璃干版手工复制颜色的。对复制品的唯一评价标准是工匠的经验。这是非常主观的。基于面积传感器的成像系统在数字档案中得到了广泛的应用。该技术可以方便、高效地完成图像采集工作。这种成像系统具有较均匀的光分布、较高的分辨率和较准确的显色性。然而,如果在相同的成像设置条件下,包括相同的理论成像分辨率、光源等,将基于面积传感器的成像系统与基于线性传感器的成像系统进行比较,就会发现两者存在一定的差异。研制了一种基于线性传感器相机的高分辨率扫描仪,用于玻璃板数字化,有利于高质量的色彩再现。利用多波段滤光片的颜色信息计算出滤光系数进行色彩再现。详细讨论了用于彩色再现的滤光系数的计算方法。将该方法应用于世界文化遗产日本近藤法隆二壁画的数字化和彩色再现。通过实验验证了彩色再现结果的准确性。实验结果表明,该方法能够对图像细节进行高质量的彩色再现,具有将该高分辨率数字化技术应用于文物数字化的优点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
[Paper] Color Reproduction of Glass Dry Plate Scanned by a Linear Sensor Camera Using Filter Coefficient
Cultural heritage objects are threatened with the destruction caused by decay or damage due to aging, unpredictable natural and man-made disaster such as fire, earthquake, and war. Deterioration or disappearance of any cultural or natural heritage constitutes a great loss to all nations of the world. Due to the precious nature of cultural heritage, it is necessary to choose a proper solution for their preservation and conservation. There are various methods nowadays that can record different information of cultural heritage, such as color, shape, spectral reflectance, etc. Such recording methods also refer to digital archiving which has been gathering increasing interests of researchers in the past few years1, 2). The motivation is to ensure that future generations could inherit and admire these amazing works. A variety of technologies have been applied to the preservation of cultural heritage. Photography is one of the leading techniques which provides a new frontier to the field of archiving. However, due to the limitation of the technique development in the old days, some of the archiving results cannot satisfy all the demands, especially in some exceptional scenarios. For an instance, Horyuji Kondo wall painting, which belongs to UNESCO World Heritage Site under the name Buddhist Monuments in the Horyuji Area, was photographed onto a one-to-one scale glass dry plate with multiband filters (Appearance color: Yellow, Red, Green, Blue) 85 years ago (1935) 3). These glass-based dry plates are the only documentation material that recorded the original appearance of the wall painting during that time, but the coating layer is now fragile and sensitive to storage conditions4). A calamitous fire that broke out later in 1949 which resulted in the severe damage to the wall paintings5). Fortunately, the color image of the wall painting can be reproduced using the glass dry plates by a traditional technique with the negative-positive process. However, this reproducing process that is known as collotype printing6), reproduces the color by a trained craftsman using the glass dry plates manually. The only evaluation criteria for the reproduction is the experience of the craftsman. This is very subjective. Area sensor-based imaging system is widely used in the digital archiving nowadays. This technique can accomplish the image acquisition work easily and efficiently. Such imaging system offers fairly uniform light distribution, relatively high resolution and relatively accurate color rendering7). However, if an area sensor-based imaging system and a linear sensor-based imaging system are compared under an identical imaging setup condition including the same theoretical imaging resolution, the light source, etc., it has some Abstract A method for color reproduction of old glass dry plates digitized by a linear sensor camera is proposed. A high-resolution scanner based on linear sensor camera was developed for digitizing glass plates, which is beneficial for high-quality color reproduction. The color reproduction uses filter coefficient calculated from color information of multiband filters. An approach for the calculation of filter coefficient used for color reproduction is addressed in detail. The method was applied to the digitization and color reproduction of a wall painting belonging to World Cultural Heritage Horyuji Kondo, Japan. A verification experiment is conducted to evaluate the accuracy of color reproduction results. Experimental results show that the proposed method is capable of high-quality color reproduction of image details, and there is merit to using this high-resolution digitization techniques for cultural heritage.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
ITE Transactions on Media Technology and Applications
ITE Transactions on Media Technology and Applications ENGINEERING, ELECTRICAL & ELECTRONIC-
CiteScore
1.70
自引率
0.00%
发文量
9
期刊介绍: ・Multimedia systems and applications ・Multimedia analysis and processing ・Universal services ・Advanced broadcasting media ・Broadcasting network technology ・Contents production ・CG and multimedia representation ・Consumer Electronics ・3D imaging technology ・Human Information ・Image sensing ・Information display ・Multimedia Storage ・Others.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信