{"title":"关于绘画销售:赫雷斯德拉弗朗特拉的掠夺和收藏","authors":"José Ramón Barros Caneda","doi":"10.25267/TROCADERO.2020.V32.I1.13","DOIUrl":null,"url":null,"abstract":"Occasionally, the documentary sources found provide the historian with suspicions and clues whose interpretation and contextualisation help to reveal the foundations of historical processes. In this way, we will analyse an interesting and unpublished document which, although it is a brief sale of paintings, helps to outline the behaviour of the model of the bourgeois art collector nurtured in Spain under the protection of the disentailment process of 1835.","PeriodicalId":31026,"journal":{"name":"Trocadero","volume":"32 1","pages":"227-240"},"PeriodicalIF":0.0000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A propósito de una venta de cuadros: Expolio y coleccionismo en Jerez de la Frontera\",\"authors\":\"José Ramón Barros Caneda\",\"doi\":\"10.25267/TROCADERO.2020.V32.I1.13\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Occasionally, the documentary sources found provide the historian with suspicions and clues whose interpretation and contextualisation help to reveal the foundations of historical processes. In this way, we will analyse an interesting and unpublished document which, although it is a brief sale of paintings, helps to outline the behaviour of the model of the bourgeois art collector nurtured in Spain under the protection of the disentailment process of 1835.\",\"PeriodicalId\":31026,\"journal\":{\"name\":\"Trocadero\",\"volume\":\"32 1\",\"pages\":\"227-240\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Trocadero\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.25267/TROCADERO.2020.V32.I1.13\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Trocadero","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25267/TROCADERO.2020.V32.I1.13","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A propósito de una venta de cuadros: Expolio y coleccionismo en Jerez de la Frontera
Occasionally, the documentary sources found provide the historian with suspicions and clues whose interpretation and contextualisation help to reveal the foundations of historical processes. In this way, we will analyse an interesting and unpublished document which, although it is a brief sale of paintings, helps to outline the behaviour of the model of the bourgeois art collector nurtured in Spain under the protection of the disentailment process of 1835.
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