{"title":"小普罗维登斯山展览","authors":"Kátia da Costa Bezerra","doi":"10.3368/lbr.57.1.58","DOIUrl":null,"url":null,"abstract":"In 2008, the French photographer JR interviewed and photographed 20 women from Morro da Providência, Rio de Janeiro. The photographs were displayed on the sides of around 40 houses and buildings throughout Morro da Providência. The exhibit was part of JR’s project 28 Millimeters: Women are Heroes. In 2009, JR returned to Rio de Janeiro to take part in a series of events organized to celebrate the cultural and historical ties between France and Brazil. The Morro da Providência photographs were pasted on different parts of downtown Rio de Janeiro and were also part of the first exposition presented at Casa França-Brasil after six months of restoration. These two events provide a fascinating point of departure for discussing some of the tensions related to the production of space. Drawing from Michel Foucault’s concept of heterotopia and bell hooks’ notion of oppositional gaze, this essay examines the ways in which the photographic exhibit 28 Millimeters: Women are Heroes challenges the very terms that define the city of Rio de Janeiro. It also points to some of the tensions present in the way the exhibit was structured in 2009.","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"57 1","pages":"58 - 76"},"PeriodicalIF":0.3000,"publicationDate":"2020-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"JR’s Morro da Providência Exhibit\",\"authors\":\"Kátia da Costa Bezerra\",\"doi\":\"10.3368/lbr.57.1.58\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In 2008, the French photographer JR interviewed and photographed 20 women from Morro da Providência, Rio de Janeiro. The photographs were displayed on the sides of around 40 houses and buildings throughout Morro da Providência. The exhibit was part of JR’s project 28 Millimeters: Women are Heroes. In 2009, JR returned to Rio de Janeiro to take part in a series of events organized to celebrate the cultural and historical ties between France and Brazil. The Morro da Providência photographs were pasted on different parts of downtown Rio de Janeiro and were also part of the first exposition presented at Casa França-Brasil after six months of restoration. These two events provide a fascinating point of departure for discussing some of the tensions related to the production of space. Drawing from Michel Foucault’s concept of heterotopia and bell hooks’ notion of oppositional gaze, this essay examines the ways in which the photographic exhibit 28 Millimeters: Women are Heroes challenges the very terms that define the city of Rio de Janeiro. It also points to some of the tensions present in the way the exhibit was structured in 2009.\",\"PeriodicalId\":52041,\"journal\":{\"name\":\"Luso-Brazilian Review\",\"volume\":\"57 1\",\"pages\":\"58 - 76\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2020-06-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Luso-Brazilian Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3368/lbr.57.1.58\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Luso-Brazilian Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3368/lbr.57.1.58","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 1
摘要
2008年,法国摄影师JR采访并拍摄了20位来自巴西里约热内卢Providência的女性。这些照片被展示在Morro da Providência的大约40栋房屋和建筑物的侧面。这次展览是JR公司“28毫米:女人是英雄”项目的一部分。2009年,JR回到巴西里约热内卢,参加了一系列庆祝法国和巴西之间文化和历史联系的活动。Morro da Providência的照片被贴在里约热内卢市中心的不同地方,也是在修复六个月后在Casa francada - brasil举办的第一次展览的一部分。这两个事件为讨论与空间生产有关的一些紧张关系提供了一个有趣的出发点。从米歇尔·福柯的异托邦概念和贝尔·胡克斯的对立凝视概念出发,本文考察了摄影展览《28毫米:女性是英雄》挑战定义里约热内卢城市的术语的方式。它也指出了2009年展览组织方式中存在的一些紧张关系。
In 2008, the French photographer JR interviewed and photographed 20 women from Morro da Providência, Rio de Janeiro. The photographs were displayed on the sides of around 40 houses and buildings throughout Morro da Providência. The exhibit was part of JR’s project 28 Millimeters: Women are Heroes. In 2009, JR returned to Rio de Janeiro to take part in a series of events organized to celebrate the cultural and historical ties between France and Brazil. The Morro da Providência photographs were pasted on different parts of downtown Rio de Janeiro and were also part of the first exposition presented at Casa França-Brasil after six months of restoration. These two events provide a fascinating point of departure for discussing some of the tensions related to the production of space. Drawing from Michel Foucault’s concept of heterotopia and bell hooks’ notion of oppositional gaze, this essay examines the ways in which the photographic exhibit 28 Millimeters: Women are Heroes challenges the very terms that define the city of Rio de Janeiro. It also points to some of the tensions present in the way the exhibit was structured in 2009.
期刊介绍:
Luso-Brazilian Review publishes interdisciplinary scholarship on Portuguese, Brazilian, and Lusophone African cultures, with special emphasis on scholarly works in literature, history, and the social sciences. Each issue of the Luso-Brazilian Review includes articles and book reviews, which may be written in either English or Portuguese.