{"title":"法兰克福学派社会哲学中的艺术问题","authors":"I. Davydov","doi":"10.2753/RSP1061-1967240262","DOIUrl":null,"url":null,"abstract":"The fundamentals of the Frankfurt school's conception of art were expounded in Horkheimer and Adorno's book, Dialectic of Enlightenment,1 where the \"critical theory of society\" appeared in the form of a specific (anti-Hegelian) philosophy of history—the history of bourgeois enlightenment, whose sources the authors trace to ancient Greek mythology.","PeriodicalId":85576,"journal":{"name":"Soviet studies in philosophy","volume":"24 1","pages":"62-85"},"PeriodicalIF":0.0000,"publicationDate":"1985-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2753/RSP1061-1967240262","citationCount":"0","resultStr":"{\"title\":\"The Problem of Art in the Social Philosophy of the Frankfurt School\",\"authors\":\"I. Davydov\",\"doi\":\"10.2753/RSP1061-1967240262\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The fundamentals of the Frankfurt school's conception of art were expounded in Horkheimer and Adorno's book, Dialectic of Enlightenment,1 where the \\\"critical theory of society\\\" appeared in the form of a specific (anti-Hegelian) philosophy of history—the history of bourgeois enlightenment, whose sources the authors trace to ancient Greek mythology.\",\"PeriodicalId\":85576,\"journal\":{\"name\":\"Soviet studies in philosophy\",\"volume\":\"24 1\",\"pages\":\"62-85\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1985-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.2753/RSP1061-1967240262\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Soviet studies in philosophy\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2753/RSP1061-1967240262\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Soviet studies in philosophy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2753/RSP1061-1967240262","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Problem of Art in the Social Philosophy of the Frankfurt School
The fundamentals of the Frankfurt school's conception of art were expounded in Horkheimer and Adorno's book, Dialectic of Enlightenment,1 where the "critical theory of society" appeared in the form of a specific (anti-Hegelian) philosophy of history—the history of bourgeois enlightenment, whose sources the authors trace to ancient Greek mythology.
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