对不起。

T. Widodo
{"title":"对不起。","authors":"T. Widodo","doi":"10.33153/GLR.V16I1.2335","DOIUrl":null,"url":null,"abstract":"<p>Tujuan penelitian ini untuk mendeskripsi dan memahami struktur dramatik, <em>sanggit catur</em>, dan nilai-nilai dalam lakon <em>Kalabendu</em> susunan Sumanto sajian Manteb Soedharsono. Permasalahan yang dikaji adalah: (1) bagaimana struktur dramatik lakon <em>Kalabendu</em> susunan Sumanto sajian Manteb Soedharsono? (2) bagaimana <em>sanggit</em> dan <em>garap catur</em> lakon <em>Kalabendu</em> susunan Sumanto sajian Manteb Soedharsono?, dan (3) bagaimana nilai-nilai yang disampaikan dalam lakon <em>Kalabendu</em> susunan Sumanto sajian Manteb Soedharsono? Bahan penelitian dikumpulkan melalui studi pustaka, wawancara, dan pengamatan langsung dan tidak langsung pada pertunjukan lakon <em>Kalabendu</em> susunan Sumanto sajian Manteb Soedharsono. Dalam penelitian ini digunakan analisis struktur dramatik, <em>sanggit</em>, dan <em>garap catur</em> dengan menggunakan metode deskriptif interpretatif. Hasil penelitian menunjukkan bahwa: (1) lakon <em>Kalabendu</em> susunan Sumanto sajian Manteb Soedharsono ini sebenarnya merupakan petikan adegan-adegan penting dari beberapa lakon tradisi yaitu : lakon <em>Pamuksa</em>, lakon <em>Bale</em> <em>Sigala-gala</em>, lakon<em> Bratayuda</em>, dan lakon<em> Pendhawa Boyong</em>. Tahapan-tahapan dramatik dalam lakon<em> Kalabendu </em>adalah: <em>exposition, inciting-action, conflication, crisis, climax, resolution,</em> dan <em>conclusion.</em> (2) <em>Sanggit catur</em> lakon <em>Kalabendu</em> susunan Sumanto terdapat <em>sanggit janturan</em> (<em>janturan jejer, janturan adegan,</em> dan <em>janturan</em> <em>peristiwa</em>),<em> sanggit pocapan </em>(<em>pocapan </em>situasi,<em> pocapan </em>peristiwa,<em> pocapan </em>mandiri, dan<em> pocapan </em>peralihan),<em> </em>serta <em>sanggit ginem</em> (<em>ginem blangkon, ginem baku, ginem isen-isen,</em> dan <em>ginem banyol</em>). <em>Garap catur</em> lakon <em>Kalabendu </em>sajian Manteb Soedharsono terdapat<em> garap janturan </em>(<em>janturan </em>adegan),<em> garap pocapan </em>(<em>pocapan </em>peristiwa), dan <em>garap ginem</em> (<em>ginem blangkon</em>).(3) nilai-nilai yang disampaikan dalam lakon <em>Kalabendu</em> susunan Sumanto sajian Manteb Soedharsono adalah: nilai rendah-hati, nilai kesederhanaan, nilai tanggung-jawab, nilai kejujuran, nilai kebenaran, nilai persatuan, nilai balas budi, nilai ketuhanan, nilai <em>ngundhuh wohing pakarti</em> (hukum karma), nilai pendidikan, dan nilai keteguhan hati.</p><p> </p><p><strong>Kata kunci: </strong>struktur dramatik,<strong> </strong><em>sanggit catur</em>, nilai-nilai, lakon<strong> </strong><em>Kalabendu</em>.</p><p> </p><p> </p><p align=\"center\"><strong><em>ABSTRACT</em></strong></p><p> </p><p><em>The purpose of this study is to describe and understand the dramatic structure, sanggit , catur and values in lakon Kalabendu of Sumanto’s composition presented by Manteb Soedharsono. The problems studied are:</em></p><p> </p><p><em>(1)  </em><em>how the dramatic structure of Kalabendu by Sumanto presented by Manteb Soedharsono? (2) how is sanggit and garap catur of Kalabendu by Sumanto presented by Manteb Soedharsono ?, and (3) how the</em></p><p> </p><p><em>values presented in the Kalabendu by Sumanto presented by Manteb Soedharsono? Research materials were collected through literary studies, interviews, and direct as well as indirect observations of the Kalabendu performance of the Sumanto statue of Manteb Soedharsono. This study uses the analysis of dramatic struc-ture, sanggit, and garap catur. This study uses interpretative descriptive method. The results of the research show that: (1) Lakon Kalabendu of Sumanto’s composition presented by Manteb Soedharsono is actually an excerpt of important scenes from several traditional lakon: Pamuksa, Bale Sigala-gala, Bratayuda, and Boyong pendhawa. 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Dalam penelitian ini digunakan analisis struktur dramatik, <em>sanggit</em>, dan <em>garap catur</em> dengan menggunakan metode deskriptif interpretatif. Hasil penelitian menunjukkan bahwa: (1) lakon <em>Kalabendu</em> susunan Sumanto sajian Manteb Soedharsono ini sebenarnya merupakan petikan adegan-adegan penting dari beberapa lakon tradisi yaitu : lakon <em>Pamuksa</em>, lakon <em>Bale</em> <em>Sigala-gala</em>, lakon<em> Bratayuda</em>, dan lakon<em> Pendhawa Boyong</em>. Tahapan-tahapan dramatik dalam lakon<em> Kalabendu </em>adalah: <em>exposition, inciting-action, conflication, crisis, climax, resolution,</em> dan <em>conclusion.</em> (2) <em>Sanggit catur</em> lakon <em>Kalabendu</em> susunan Sumanto terdapat <em>sanggit janturan</em> (<em>janturan jejer, janturan adegan,</em> dan <em>janturan</em> <em>peristiwa</em>),<em> sanggit pocapan </em>(<em>pocapan </em>situasi,<em> pocapan </em>peristiwa,<em> pocapan </em>mandiri, dan<em> pocapan </em>peralihan),<em> </em>serta <em>sanggit ginem</em> (<em>ginem blangkon, ginem baku, ginem isen-isen,</em> dan <em>ginem banyol</em>). <em>Garap catur</em> lakon <em>Kalabendu </em>sajian Manteb Soedharsono terdapat<em> garap janturan </em>(<em>janturan </em>adegan),<em> garap pocapan </em>(<em>pocapan </em>peristiwa), dan <em>garap ginem</em> (<em>ginem blangkon</em>).(3) nilai-nilai yang disampaikan dalam lakon <em>Kalabendu</em> susunan Sumanto sajian Manteb Soedharsono adalah: nilai rendah-hati, nilai kesederhanaan, nilai tanggung-jawab, nilai kejujuran, nilai kebenaran, nilai persatuan, nilai balas budi, nilai ketuhanan, nilai <em>ngundhuh wohing pakarti</em> (hukum karma), nilai pendidikan, dan nilai keteguhan hati.</p><p> </p><p><strong>Kata kunci: </strong>struktur dramatik,<strong> </strong><em>sanggit catur</em>, nilai-nilai, lakon<strong> </strong><em>Kalabendu</em>.</p><p> </p><p> </p><p align=\\\"center\\\"><strong><em>ABSTRACT</em></strong></p><p> </p><p><em>The purpose of this study is to describe and understand the dramatic structure, sanggit , catur and values in lakon Kalabendu of Sumanto’s composition presented by Manteb Soedharsono. 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引用次数: 0

摘要

本研究的目的是描述和理解Sumanto系列《Manteb Soedharsono》中卡拉本杜表演的戏剧结构、国际象棋和价值观。正在测试的问题是:(1)Sumanto sajian Manteb Soedharsono的《卡拉本杜》的戏剧结构是如何安排的?(2) Kalabendu拉卡农安排Sumanto sajian Manteb Soedharsono的酱汁和酱汁怎么样?,以及(3)Sumanto级数Manteb-Soedharsono的Kalabendu lakon中给出的值是多少?研究材料是通过图书馆研究、访谈和直接观察收集的,而不是直接在Sumanto系列的Manteb Soedharsono的Kalabendu演出中收集的。在这项研究中,我们使用描述性解释方法,使用分析结构戏剧性盐、吸收盐和咀嚼盐。研究表明:(1)Sumanto Cyan Manteb Soedharsono的Kalabendu拉康实际上是指一些传统拉康的重要场景:Pamuksa拉康、Bale Sigala gala拉康、Bratayuda拉康和Pendhawa Boyong拉康。卡拉本杜行为的戏剧性阶段是:阐述、煽动行动、冲突、危机、高潮、解决和结束。(2) Sumanto布局的Kalabendu象棋包含心(jeer的心、场景的心和事件的心)、烟囱(情境的烟囱、事件的烟囱、自我的烟囱和过渡的烟囱)和ginem(ginem blangkon、ginem baku、ginem isen isen和ginem banyol)。Kalabendu lakon咀嚼酱Manteb Soedharsono含有心盐(舞台心)、南瓜盐(活动盐)和精氨酸盐(精氨酸)。(3) Sumanto Manteb Soedharsono的Kalabendu版本中给出的价值观是:低价值观、简单、责任、诚实、真理价值观、联合价值观、礼貌价值观、真实价值观、有意义的工作价值观(因果报应法)、教育价值观和耐力价值观。关键词:戏剧结构,国际象棋语录,价值观,卡拉本杜动作。本研究的目的是描述和理解Manteb Soedharsono提出的Sumanto作品的戏剧结构、桑吉特、卡图和拉卡本都的价值观。研究的问题是:(1)(UNK)Manteb Soedharsono提出的Sumanto的《卡拉本杜》的戏剧结构是怎样的?(2) Manteb Soedharsono提出的Sumanto的《卡拉本杜的桑吉特和加拉普》是如何的?,以及(3)Manteb Soedharsono提出的Sumanto在Kalabendu中提出的[UNK]值是如何表达的?研究材料是通过文学研究、访谈以及对曼泰布·索德哈索诺苏曼托雕像卡拉本杜表演的直接和间接观察收集的。本研究运用了戏剧结构、桑吉特和加拉普·卡图尔的分析方法。本研究采用解释描述性方法。研究结果表明:(1)Manteb Soedharsono所呈现的Sumanto作品中的Lakon Kalabendu实际上是对几种传统Lakon的重要场景的摘录:Pamuksa、Bale Sigala gala、Bratayuda和Boyong pendhawa。《卡拉本杜》的戏剧性阶段有:阐述、煽动、融合、危机、高潮、化解和终结。(2) Sumanto安排的Kalabendu的sanggit catur是janturan(jejejer janturan,janturan adegan,and janturan events),pocapan的sanggi(形势的pocapan,事件的pocaban,mandiri的pocaan,and transit的poca潘),和ginem的sanggits(ginem blangkon,ginem baku,ginem isen isen,and ginem banyol)。Manteb Soedharsono的Kalabendu的Garap象棋包括心脏(舞台心脏)、南瓜(舞台泵)和精(精)。(3) 由Sumanto创作的lakon Kalabendu由Manteb Soedharsono呈现的价值观涵盖了以下价值观:谦逊、简单、责任、崇高、真理、团结、关系、神性、因果报应、教育和稳定。[未知]
本文章由计算机程序翻译,如有差异,请以英文原文为准。
SANGGIT CATUR LAKON KALABENDU SUSUNAN SUMANTO SAJIAN MANTEB SOEDHARSONO

Tujuan penelitian ini untuk mendeskripsi dan memahami struktur dramatik, sanggit catur, dan nilai-nilai dalam lakon Kalabendu susunan Sumanto sajian Manteb Soedharsono. Permasalahan yang dikaji adalah: (1) bagaimana struktur dramatik lakon Kalabendu susunan Sumanto sajian Manteb Soedharsono? (2) bagaimana sanggit dan garap catur lakon Kalabendu susunan Sumanto sajian Manteb Soedharsono?, dan (3) bagaimana nilai-nilai yang disampaikan dalam lakon Kalabendu susunan Sumanto sajian Manteb Soedharsono? Bahan penelitian dikumpulkan melalui studi pustaka, wawancara, dan pengamatan langsung dan tidak langsung pada pertunjukan lakon Kalabendu susunan Sumanto sajian Manteb Soedharsono. Dalam penelitian ini digunakan analisis struktur dramatik, sanggit, dan garap catur dengan menggunakan metode deskriptif interpretatif. Hasil penelitian menunjukkan bahwa: (1) lakon Kalabendu susunan Sumanto sajian Manteb Soedharsono ini sebenarnya merupakan petikan adegan-adegan penting dari beberapa lakon tradisi yaitu : lakon Pamuksa, lakon Bale Sigala-gala, lakon Bratayuda, dan lakon Pendhawa Boyong. Tahapan-tahapan dramatik dalam lakon Kalabendu adalah: exposition, inciting-action, conflication, crisis, climax, resolution, dan conclusion. (2) Sanggit catur lakon Kalabendu susunan Sumanto terdapat sanggit janturan (janturan jejer, janturan adegan, dan janturan peristiwa), sanggit pocapan (pocapan situasi, pocapan peristiwa, pocapan mandiri, dan pocapan peralihan), serta sanggit ginem (ginem blangkon, ginem baku, ginem isen-isen, dan ginem banyol). Garap catur lakon Kalabendu sajian Manteb Soedharsono terdapat garap janturan (janturan adegan), garap pocapan (pocapan peristiwa), dan garap ginem (ginem blangkon).(3) nilai-nilai yang disampaikan dalam lakon Kalabendu susunan Sumanto sajian Manteb Soedharsono adalah: nilai rendah-hati, nilai kesederhanaan, nilai tanggung-jawab, nilai kejujuran, nilai kebenaran, nilai persatuan, nilai balas budi, nilai ketuhanan, nilai ngundhuh wohing pakarti (hukum karma), nilai pendidikan, dan nilai keteguhan hati.

 

Kata kunci: struktur dramatik, sanggit catur, nilai-nilai, lakon Kalabendu.

 

 

ABSTRACT

 

The purpose of this study is to describe and understand the dramatic structure, sanggit , catur and values in lakon Kalabendu of Sumanto’s composition presented by Manteb Soedharsono. The problems studied are:

 

(1)  how the dramatic structure of Kalabendu by Sumanto presented by Manteb Soedharsono? (2) how is sanggit and garap catur of Kalabendu by Sumanto presented by Manteb Soedharsono ?, and (3) how the

 

values presented in the Kalabendu by Sumanto presented by Manteb Soedharsono? Research materials were collected through literary studies, interviews, and direct as well as indirect observations of the Kalabendu performance of the Sumanto statue of Manteb Soedharsono. This study uses the analysis of dramatic struc-ture, sanggit, and garap catur. This study uses interpretative descriptive method. The results of the research show that: (1) Lakon Kalabendu of Sumanto’s composition presented by Manteb Soedharsono is actually an excerpt of important scenes from several traditional lakon: Pamuksa, Bale Sigala-gala, Bratayuda, and Boyong pendhawa. Dramatic stages in Kalabendu are: exposition, inciting-action, conflication, crisis, climax, resolu-tion, and conclusion. (2) The sanggit catur of Kalabendu arranged by Sumanto is janturan (janturan jejer, janturan adegan, and janturan events), sanggit of pocapan (pocapan of situation, pocapan of event, pocapan of mandiri, and pocapan of transit), and sanggit of ginem (ginem blangkon, ginem baku , ginem isen-isen, and ginem banyol). Garap catur of Kalabendu by Manteb Soedharsono include janturan (janturan adegan), pocapan (pocapan adegan), and ginem (ginem blangkon). (3) The values presented in lakon Kalabendu composed by Sumanto presented by Manteb Soedharsono covering the values of: humble, simplicity, responsibility, hon-esty, truth, unity, relationship, divinity, karma, education, and steadiness.

 

Keywords: dramatic structure, sanggit catur, values, lakon Kalabendu
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