17世纪冰岛的怪诞建议。格罗比人的神秘起源rímur

IF 0.2 3区 文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN
Gripla Pub Date : 2022-01-01 DOI:10.33112/gripla.33.10
Philip Lavender
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引用次数: 0

摘要

格罗比安诺斯和格罗比安纳是16世纪德国弗里德里希·戴德金的一部很有影响力的著作,书中提出了如何表现不好的建议,据说是鼓励人们表现良好的相反方式。这篇文章着眼于17世纪的冰岛作品《格罗比斯rímur》,它描绘了格罗比厄斯和他的妻子格罗比阿娜(在冰岛文本中成为格里巴)的形象,但不仅仅是翻译。格罗比病rímur很少被研究,它有一个复杂的传播历史,几个作者在几十年的时间里贡献了额外的适合。这里的重点是最早的四首歌(我称之为“核心Grobbians rímur”),通常被认为是由一个作者完成的,或者是Jón Magnússon í Laufási,或者是gu - mundur Erlendsson。通过对现存的三份17世纪手稿的研究,我们发现了两个早期版本,一个只有三段,另一个有更熟悉的四段。有一种假设认为,这两个版本可能是两位作者共同努力的结果,并对彼此的作品进行了扩展,因此Jón Magnússon和gu - mundur Erlendsson都可以被认为是作者。这些诗人的其他诗歌表明,他们对彼此的作品做出了回应。因此,有人提出,三合体版本最有可能是这首诗的早期形式,可能主要是由Jón Magnússon创作的,而四合体版本是在之后出现的,gu - mundur Erlendsson可能参与了它的创作。这项研究有望为未来的研究铺平道路,这些研究将考虑这部有趣的作品的文学和文化价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Grotesque Advice in Seventeenth-Century Iceland. The Mysterious Origins of Grobbians rímur
Grobianus et Grobiana was an influential sixteenth-century German work by Friedrich Dedekind which presented advice on how to behave badly, supposedly as an inverse way of encouraging people to behave well. This article looks at an Icelandic work from the seventeenth century, Grobbians rímur, which drew on the figure of Grobianus and his wife Grobiana (who becomes Gribba in the Icelandic text) but is no mere translation. Grobbians rímur is little studied and has a complex transmission history, with several authors contributing additional fitts over a period of many decades. The focus here is the earliest four fitts (what I call the “core Grobbians rímur”), usually attributed to a single author, either Jón Magnússon í Laufási or Guðmundur Erlendsson. Through a consideration of the three extant seventeenth-century manuscripts, two early versions come to light, one consisting of only three fitts as well as another consisting of the more familiar four fitts. A hypothesis is developed that these two versions could be the result of two authors working together and expanding on each other’s compositions, thus both Jón Magnússon and Guðmundur Erlendsson could equally be considered the authors. Other poems by these poets suggest that they responded to each other’s works. Thus arguments are presented that the three-fitt version is most likely the earlier form of the poem, probably composed principally by Jón Magnússon, while the four-fitt version came after and Guðmundur Erlendsson was probably involved in its composition. This study will hopefully pave the way for future research which will consider the literary and cultural value of this intriguing work.
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Gripla
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