{"title":"一封来自巴黎的信","authors":"Jacques Scherer","doi":"10.3138/MD.3.1.4","DOIUrl":null,"url":null,"abstract":"THE LAST TWO SEASONS brought important innovations in the theatrical life of Paris. Bold accomplishments attracted attention in the realm of staging as well as in that of dramatic literature,at the same time as the structure and activity of the national theatres were modified by the new political regime. The Opera, the Comedie Francaise and the Odeon have in fact seen the beginning of a new stage in their long history.","PeriodicalId":43301,"journal":{"name":"MODERN DRAMA","volume":"3 1","pages":"4-7"},"PeriodicalIF":0.4000,"publicationDate":"1960-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3138/MD.3.1.4","citationCount":"1","resultStr":"{\"title\":\"A Letter from Paris\",\"authors\":\"Jacques Scherer\",\"doi\":\"10.3138/MD.3.1.4\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"THE LAST TWO SEASONS brought important innovations in the theatrical life of Paris. Bold accomplishments attracted attention in the realm of staging as well as in that of dramatic literature,at the same time as the structure and activity of the national theatres were modified by the new political regime. The Opera, the Comedie Francaise and the Odeon have in fact seen the beginning of a new stage in their long history.\",\"PeriodicalId\":43301,\"journal\":{\"name\":\"MODERN DRAMA\",\"volume\":\"3 1\",\"pages\":\"4-7\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"1960-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.3138/MD.3.1.4\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MODERN DRAMA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3138/MD.3.1.4\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MODERN DRAMA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3138/MD.3.1.4","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
THE LAST TWO SEASONS brought important innovations in the theatrical life of Paris. Bold accomplishments attracted attention in the realm of staging as well as in that of dramatic literature,at the same time as the structure and activity of the national theatres were modified by the new political regime. The Opera, the Comedie Francaise and the Odeon have in fact seen the beginning of a new stage in their long history.
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