艺术、行动主义与女权主义:对抗与改变的场所

Julie Cole
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引用次数: 2

摘要

在过去的四十年里,有很多关于女权主义、艺术以及两者之间关键关系的著作。作为政治活动的艺术也一直是许多学术著作的主题,政治艺术经常交叉或明确地参与学术写作。已经写了很多,但也有很多被遗漏了,读者在寻找关于女权主义关注的艺术信息,并打算作为一种干预,可能会对目前的产品感到沮丧。在这个竞争激烈、意识形态丰富、具有潜在革命性的领域,同时引人入胜、信息量丰富、并对自己的位置有批判性自我意识的文本是罕见的。虽然内容应该是评估一本书的主要焦点,但一本吸引人的书可以是一个重要的工具或盟友,特别是在一个致力于探索艺术如何创造、改变或堵塞文化的课程中;美学成为女权主义、艺术和行动主义书籍的内容。即使是成本问题,这个大学生长期关注的问题,在这种背景下也有了新的意义,因为无障碍,即尽可能多地接触到各种各样的观众的能力,是与社会和经济正义有关的艺术的重要组成部分。基于这些想法,我开始阅读以下四本书中的每一本书,寻找关于女权主义者的有用和鼓舞人心的讨论,女权主义者创作艺术是为了干预、行动或改变现有的文化模式。我首先看了佩吉·费兰和海伦娜·雷基特的《艺术与女权主义》。这本书出版于2001年,现已绝版,但仍然随处可见。这本书的大部分页面都是几十位女权主义艺术家(都是女性)的作品图片,这本书的结构旨在支持这种说法
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Art, Activism, and Feminisms: Sites of Confrontation and Change
Much has been written over the last four decades on feminism, art, and the critical relationship between the two. Art as political activism also has been the subject of many scholarly writings, and political artwork frequently intersects or explicitly engages scholarly writing. Much has been written, but much also has been left out, and readers seeking information regarding art informed by feminist concerns and intended as an intervention might be frustrated by current offerings. Texts that are simultaneously engaging, informative, and critically self-conscious of their place in a hotly contested, ideologically loaded-and potentially revolutionary-field, are rare. While content should be the primary focus when evaluating a book, an appealing book can be an important tool or ally, particularly in a course devoted to exploring how art can create, change, or jam culture; aesthetics become content within books on feminism, art, and activism. Even issues of cost, a perennial concern for college students, take on new significance in this context, for accessibility, the power to reach as large and varied an audience as possible, is an important component of art concerned with social and economic justice. Grounded in these thoughts, I began to look at each of the following four books for useful and inspiring discussions of feminists, who make art in order to intervene in, act upon, or change existing modes of culture. I turned first to Art and Feminism by Peggy Phelan and Helena Reckitt. Published in 2001, the book is out of print but still readily available. With the majority of its pages devoted to images of work by dozens of feminist artists (all women), the book's structure is designed to support the claim
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