博尔赫斯的" tlÖn, uqbar, orbis tertius "和" pierre menard,堂吉诃德的作者"对文本的挑战

Q2 Medicine
Synergy Pub Date : 2021-01-01 DOI:10.24818/SYN/2021/17/1.02
T. Alina
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引用次数: 0

摘要

本文分析了博尔赫斯最具代表性的两部小说《Tlön,乌克巴尔,奥比斯·特蒂乌斯》和《堂吉诃德的作者皮埃尔·梅纳德》中作者与读者之间的关系。在第一篇写作中,虚构的读者和叙述者博尔赫斯不仅挑战非虚构的读者正确解读文本中出现的各种参考文献,而且他还侵入了他的现实世界。在第二个故事“Pierre Menard”中,虚构的读者和叙述者再次挑战非虚构的读者,声称两个相同的文本,当它们被归功于生活在不同时期的两个不同的作者时,可能会获得不同的价值。通过对这些发人深省的文本的探索,本文试图从博尔赫斯小说中读者和作者之间界限模糊的前提出发,建立博尔赫斯对“作者”和“读者”的观点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
CHALLENGES OF THE TEXT IN BORGES’S “TLÖN, UQBAR, ORBIS TERTIUS” AND “PIERRE MENARD, AUTHOR OF THE QUIXOTE”
This paper analyses the relationship between the author and the reader in two of Borges’s most representative fictions: “Tlön, Uqbar, Orbis Tertius” and “Pierre Menard, Author of the Quixote”. In the first writing, the fictional reader and narrator Borges not only challenges the non-fictional reader to interpret correctly the various references that appear in the text, but he also invades his real-life world. In the second story, “Pierre Menard”, the fictional reader and narrator challenges the non-fictional reader again by claiming that two identical texts may acquire different values when they are attributed to two different authors living in different periods of time. By exploring these provoking texts, the article attempts to establish Borges’s own perspectives on “authorship” and “readership” starting from the premise that, in the Borgesian stories, the line between the reader and the author is blurred.
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来源期刊
Synergy
Synergy Medicine-Medicine (miscellaneous)
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