环境高程规范化:设置与性质

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Barış Mete, Defne ERDEM METE
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引用次数: 0

摘要

当代理论被结构主义、后结构主义和后现代主义关于社会、文化和语言意义形成的讨论所框定。结构主义者认为意义是一种外在特征。它取决于语言框架,因为它是在语言中并通过语言来定义的。对于后结构主义者来说,意义可以被主观地定义;因此,没有什么意义值得考虑。后结构主义提出了意义多元性的观点。与所有传统观念一样,意义是一种元叙事,其有效性在结构主义、后结构主义和后现代主义的批评中备受争议。当代理论是一种解放经验。这可以通过对父权制合法性的调查来证明,父权制使妇女决心质疑她们的不平等。理论使关于无产阶级有控制生产的未来的讨论成为可能。然而,理论已经用同样的例子说明了自然。自然是一种社会、文化和语言建构的概念,被定义为一种人为的感知。当前的环境紧急情况失去了它的意义,因为自然是一个没有意义的术语。环境批评人士驳斥了最近将自然称为元叙事的说法。它坚持认为自然是真实的、有生命的、处于危险之中。本文旨在指出环境批评的主流化有助于理解理论与自然的关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Çevreci Eleştirinin Normalleştirilmesi: Kuram ve Doğa
Contemporary theory has been framed by structuralist, poststructuralist and postmodernist discussions about social, cultural and linguistic formation of meaning. Structuralists argue that meaning is an external feature. It depends on the linguistic framework, for it is defined in and through language. For poststructuralists, meaning can be subjectively defined; thus there is no meaning to be considered. Poststructuralism offers the idea of the plurality of meaning. Like all traditional notions, meaning is a metanarrative whose validity structuralist, poststructuralist and postmodernist critics find controversial. Contemporary theory has been a liberating experience. This might be exemplified with the enquiry into the legitimacy of the patriarchy which rendered women determination to question their inequalities. Theory has enabled discussions about the proletariat having a future to control production. However, theory has illustrated nature within the same exemplification. Nature is a socially, culturally and linguistically constructed notion defined as a man-made perception. The present environmental emergency loses its meaning as nature is a meaningless term. Environmental criticism dismiss the latest designation of nature as a metanarrative. It insists that nature is real, alive and in danger. This article aims to point out that mainstreaming of environmental criticism helps understand the relationship between theory and nature.
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