{"title":"在伊莎贝拉·惠特尼的歌曲中,第一次女权主义思维驱动","authors":"Okaycan Dürükoğlu","doi":"10.21497/sefad.1128344","DOIUrl":null,"url":null,"abstract":"This paper examines the poems in Isabella Whitney’s two poetry collections, The Copy of a Letter (1567) and A Sweet Nosegay (1573) to trace a pro-woman argument in her works. In her poems, Whitney’s themes and subject matter point out that she is a marginal woman poet of sixteenth-century England since she assumes the role of a counsellor for the inexperienced women who might be manipulated by men. Instead of writing in a low-key manner as expected from the woman writers of the sixteenth century, she adopts an assertive and critical style in her poetry. By articulating this pro-woman argument in her poems, Whitney attacks Ovidian tradition and she re-reads and sometimes rewrites the stories of the traditionally silenced female figures in myths and male texts. Whitney seeks solutions for women who are culturally and socially trapped in the patriarchal texts.","PeriodicalId":40468,"journal":{"name":"Selcuk Universitesi Edebiyat Fakultesi Dergisi-Selcuk University Journal of Faculty of Letters","volume":"1 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Isabella Whitney’nin Şiirlerinde Öncü-feminist Düşüncenin İzini Sürmek\",\"authors\":\"Okaycan Dürükoğlu\",\"doi\":\"10.21497/sefad.1128344\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper examines the poems in Isabella Whitney’s two poetry collections, The Copy of a Letter (1567) and A Sweet Nosegay (1573) to trace a pro-woman argument in her works. In her poems, Whitney’s themes and subject matter point out that she is a marginal woman poet of sixteenth-century England since she assumes the role of a counsellor for the inexperienced women who might be manipulated by men. Instead of writing in a low-key manner as expected from the woman writers of the sixteenth century, she adopts an assertive and critical style in her poetry. By articulating this pro-woman argument in her poems, Whitney attacks Ovidian tradition and she re-reads and sometimes rewrites the stories of the traditionally silenced female figures in myths and male texts. Whitney seeks solutions for women who are culturally and socially trapped in the patriarchal texts.\",\"PeriodicalId\":40468,\"journal\":{\"name\":\"Selcuk Universitesi Edebiyat Fakultesi Dergisi-Selcuk University Journal of Faculty of Letters\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-06-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Selcuk Universitesi Edebiyat Fakultesi Dergisi-Selcuk University Journal of Faculty of Letters\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21497/sefad.1128344\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Selcuk Universitesi Edebiyat Fakultesi Dergisi-Selcuk University Journal of Faculty of Letters","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21497/sefad.1128344","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
This paper examines the poems in Isabella Whitney’s two poetry collections, The Copy of a Letter (1567) and A Sweet Nosegay (1573) to trace a pro-woman argument in her works. In her poems, Whitney’s themes and subject matter point out that she is a marginal woman poet of sixteenth-century England since she assumes the role of a counsellor for the inexperienced women who might be manipulated by men. Instead of writing in a low-key manner as expected from the woman writers of the sixteenth century, she adopts an assertive and critical style in her poetry. By articulating this pro-woman argument in her poems, Whitney attacks Ovidian tradition and she re-reads and sometimes rewrites the stories of the traditionally silenced female figures in myths and male texts. Whitney seeks solutions for women who are culturally and socially trapped in the patriarchal texts.