在伊莎贝拉·惠特尼的歌曲中,第一次女权主义思维驱动

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Okaycan Dürükoğlu
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引用次数: 0

摘要

本文考察了伊莎贝拉·惠特尼的两部诗集《一封信的副本》(1567)和《甜蜜的花束》(1573)中的诗歌,以追溯其作品中亲女性的观点。在她的诗歌中,惠特尼的主题和题材指出了她是16世纪英国的一个边缘女性诗人,因为她承担了一个顾问的角色,为那些可能被男人操纵的没有经验的女性提供建议。她没有像16世纪的女作家那样以低调的方式写作,而是在她的诗歌中采用了一种自信和批判的风格。通过在她的诗歌中表达这种支持女性的观点,惠特尼攻击了奥维德传统,她重新阅读,有时重写了神话和男性文本中传统上沉默的女性形象的故事。惠特尼为那些在文化和社会上受困于父权文本的女性寻求解决方案。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Isabella Whitney’nin Şiirlerinde Öncü-feminist Düşüncenin İzini Sürmek
This paper examines the poems in Isabella Whitney’s two poetry collections, The Copy of a Letter (1567) and A Sweet Nosegay (1573) to trace a pro-woman argument in her works. In her poems, Whitney’s themes and subject matter point out that she is a marginal woman poet of sixteenth-century England since she assumes the role of a counsellor for the inexperienced women who might be manipulated by men. Instead of writing in a low-key manner as expected from the woman writers of the sixteenth century, she adopts an assertive and critical style in her poetry. By articulating this pro-woman argument in her poems, Whitney attacks Ovidian tradition and she re-reads and sometimes rewrites the stories of the traditionally silenced female figures in myths and male texts. Whitney seeks solutions for women who are culturally and socially trapped in the patriarchal texts.
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