通过乐器研究了解文化地理。

Alexander Khalil
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引用次数: 3

摘要

摘要:目前,美国学校对自然地理学和文化地理学的理解日益迫切。本研究探索以音乐为焦点进行地理探索。音乐不仅与文化和环境紧密相连,而且它的研究提供了一种对特定文化的体验性理解,这是很少有人能做到的。器乐不受其他传统艺术形式的实际、语义或表现形式的限制,可以被认为是文化表达的最直接形式之一,主要反映了发展它的文化和发展它的环境的集体想象力。乐器受文化美学的影响,并使用当地可用的材料和技术制作。本文以博物馆学校的一个班级为案例研究,这是一所圣地亚哥联合学区特许学校,在日常课程中强调体验式学习和艺术。在这个案例研究中,23名4-6年级的孩子通过学习被称为“佳美兰”的器乐,将注意力集中在印度尼西亚巴厘岛的文化和地理上。自2000年以来,博物馆学校将巴厘岛佳美兰课程作为其音乐课程的一部分,因此所有学生都具有丰富的经验知识。整个学习过程持续了几个星期,经历了四个阶段的探究和讨论。首先,学生们对巴厘音乐进行了背景研究,特别关注器官学。其次,学生们通过器物学探索巴厘岛地理,根据乐器的设计和构造推断巴厘岛环境的各个方面。第三,学生们通过音乐考察巴厘文化,重点关注音乐结构。第四,学生们被要求通过音乐将巴厘岛文化和自然地理联系起来。最后,学生们将他们所学的音乐与他们自己选择的音乐进行比较和对比,指出可能导致他们观察到的差异和相似之处的文化和环境因素。这门课程帮助学生以一种微妙的方式将文化地理和自然地理联系起来。此外,虽然侧重于音乐和艺术作为一门学科,课程的核心要素是写作和研究技能。将这些技能与体验式学习相结合,不仅可以加深和细微地理解地理,还可以扩展学生的认知技能,为进一步探索提供工具。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gaining Insight into Cultural Geography through the Study of Musical Instruments.
Author(s): Khalil, Alexander K | Abstract: At present, the need for an understanding of both physical and cultural geography is increasingly urgent in America’s schools. The present study explores using music as focus for the exploration of geography. Not only is music strongly linked to culture and environment but also its study provides an experiential understanding of a given culture in a way that few others can. Instrumental music, unfettered by practical, semantic, or representational constraints of other traditional art forms, can be considered as one of the most direct forms of cultural expression, reflecting primarily the collective imagination of the culture that developed it and the environment in which it developed. Musical instruments are shaped by a culture’s aesthetics and made using locally available materials and technologies.The present article takes as a case study a class at the Museum School, a San Diego Unified School District charter school that emphasizes experiential learning and the arts in its daily curriculum. In this case study, 23 children in grades 4-6 focused their attention on the culture and geography of the Island of Bali, Indonesia, through studying its instrumental music, known as “gamelan.”The Museum School has had a Balinese gamelan program as part of its music curriculum since 2000 and thus all of the students approached the subject with substantial experiential knowledge. The course of study, which lasted several weeks, went through four stages of inquiry and discussion. First, the students conducted background research on Balinese music, focusing in particular on organology. Second, the students explored Balinese geography through organology, deducing aspects of the Balinese environment based on the design and construction of the instruments. Third, the students examined Balinese culture through its music, focusing on musical structure. Fourth the students were asked to make connections between Balinese culture and physical geography as seen through music. Finally, the students compared and contrast what they had learned with musics of their own choice, pointing out likely cultural and environmental factors that likely caused the differences and similarities they observed.This course of study helped the students make connections between cultural and physical geography in a nuanced way. Further, although focus on music and art as a subject, the core elements of the class were writing and research skills. Combining these skills with experiential learning not only deepens and nuances understanding of geography but also expands students’ cognitive repertoire, providing tools for further exploration.
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