杜布罗夫尼克罗马式大教堂洗礼堂钟楼的建造、功能与拆除

A. Marinkovic
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引用次数: 0

摘要

这篇文章收集了迄今为止已知的关于杜布罗夫尼克罗马式大教堂洗礼的视觉和书面资料,以及一些主要来自19世纪30年代早期拆除的文件的新证据。对相关资料的比较分析有助于了解其外观(特别是洗礼堂内部与浅分段肋圆顶的衔接)。作者认为,杜布罗夫尼克的洗礼仪式不仅与波河平原(帕尔马)主教中心的正式模式有联系,而且与中世纪意大利公社发展起来的复活节洗礼仪式的更一般概念也有联系。资料对比有助于确定这座建筑不同功能的年表,从最初的钟楼,记录了14世纪末和15世纪初的洗礼功能,到洗礼仪式转移到大教堂本身后,教堂的常规礼拜仪式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
On the Construction, Function and Demolition of the Baptistery-Belfry of the Romanesque Cathedral in Dubrovnik
The article gathers the hitherto known visual and written sources regarding the baptistery of the Romanesque cathedral in Dubrovnik, along with some new evidence drawn primarily from the documentation of its demolition in the early 1830s. Comparative analysis of the relevant sources contributes to the knowledge of its appearance (notably the articulation of the baptistery interior with a shallow segmented ribbed dome). The author suggests a link not only between the Dubrovnik baptistery and the formal models from the episcopal centres of the Po Plain (Parma), but also with a more general concept of the rite of Easter baptism developed in the communes of medieval Italy. Source comparison helps establish the chronology of the different functions of this building, from the initial belfry, documented baptismal function at the end of the fourteenth and the beginning of the fifteenth century, to that of a church with the regular liturgy once the baptismal ceremony was transferred to the cathedral itself.
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来源期刊
Dubrovnik Annals
Dubrovnik Annals Arts and Humanities-History
CiteScore
0.20
自引率
0.00%
发文量
5
期刊介绍: Dubrovnik Annals is an English language annual published by the Institute for Historical Sciences of CASA in Dubrovnik. The journal has been created in order to present the most important results of scholarship on the Republic of Dubrovnik (Ragusa) to the international audiences. The Annals publish studies pertaining to various humanities and social sciences, as well as reviews of books, providing an overview of the international scholarship dedicated to the history of Dubrovnik.
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