{"title":"Chvabiani(格鲁吉亚上Svaneti)救世主教堂的原始壁画和10世纪至11世纪初的拜占庭艺术","authors":"A. Zakharova, S. Sverdlova","doi":"10.2298/ZOG1539011Z","DOIUrl":null,"url":null,"abstract":"The article deals with a little known ensemble of wall paintings at the Church of the Saviour in Chvabiani, Upper Svaneti, Georgia. The initial decoration of the church dated to 978- 1001 has survived mainly in the apse. The badly preserved Theophany in the conch attracted the attention of scholars who analyzed its iconography. The Apostles in the lower zone, however, were considered to be repainted at a later date. Our examination of these wall paintings revealed no traces of later additions. Through the analysis of technique and style we aim to prove that the both compositions belong to the turn of the tenth to eleventh century. These wall paintings show unusually high quality and close affinities with Byzantine art of this period. In our view, they could be a work of a visiting artist, probably a Georgian trained at some major Byzantine artistic center. He may well have been among the artists working on wall paintings at the cathedrals built and decorated by order of kings and church hierarchs during the late tenth to early eleventh centuries, in Tao-Klarjeti or other lands of the Georgian kingdom still under formation.","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":"11-23"},"PeriodicalIF":0.1000,"publicationDate":"2015-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Original wall paintings at the church of the Saviour in Chvabiani (Upper Svaneti, Georgia) and Byzantine art at the turn of the tenth to eleventh centuries\",\"authors\":\"A. Zakharova, S. Sverdlova\",\"doi\":\"10.2298/ZOG1539011Z\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article deals with a little known ensemble of wall paintings at the Church of the Saviour in Chvabiani, Upper Svaneti, Georgia. The initial decoration of the church dated to 978- 1001 has survived mainly in the apse. The badly preserved Theophany in the conch attracted the attention of scholars who analyzed its iconography. The Apostles in the lower zone, however, were considered to be repainted at a later date. Our examination of these wall paintings revealed no traces of later additions. Through the analysis of technique and style we aim to prove that the both compositions belong to the turn of the tenth to eleventh century. These wall paintings show unusually high quality and close affinities with Byzantine art of this period. In our view, they could be a work of a visiting artist, probably a Georgian trained at some major Byzantine artistic center. He may well have been among the artists working on wall paintings at the cathedrals built and decorated by order of kings and church hierarchs during the late tenth to early eleventh centuries, in Tao-Klarjeti or other lands of the Georgian kingdom still under formation.\",\"PeriodicalId\":56170,\"journal\":{\"name\":\"Zograf\",\"volume\":\"1 1\",\"pages\":\"11-23\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2015-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Zograf\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2298/ZOG1539011Z\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Zograf","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2298/ZOG1539011Z","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章讨论的是乔治亚州上斯瓦涅季(Upper Svaneti)的Chvabiani救世主教堂(Church of The savior)一组鲜为人知的壁画。教堂最初的装饰可追溯到978- 1001年,主要保存在后殿。保存完好的海螺中的神神显现吸引了分析其肖像的学者的注意。然而,较低区域的使徒被认为是在稍后的日期重新绘制的。我们对这些壁画的检查没有发现后来添加的痕迹。通过对技巧和风格的分析,我们旨在证明这两幅作品都属于10世纪至11世纪之交。这些壁画表现出不同寻常的高品质,与这一时期的拜占庭艺术有着密切的联系。在我们看来,它们可能是一个来访艺术家的作品,可能是一个在拜占庭艺术中心受过训练的格鲁吉亚人。他很可能是在10世纪末至11世纪初国王和教会等级下令建造和装饰的大教堂壁画艺术家之一,这些教堂位于陶克拉杰蒂或格鲁吉亚王国仍在形成的其他地区。
Original wall paintings at the church of the Saviour in Chvabiani (Upper Svaneti, Georgia) and Byzantine art at the turn of the tenth to eleventh centuries
The article deals with a little known ensemble of wall paintings at the Church of the Saviour in Chvabiani, Upper Svaneti, Georgia. The initial decoration of the church dated to 978- 1001 has survived mainly in the apse. The badly preserved Theophany in the conch attracted the attention of scholars who analyzed its iconography. The Apostles in the lower zone, however, were considered to be repainted at a later date. Our examination of these wall paintings revealed no traces of later additions. Through the analysis of technique and style we aim to prove that the both compositions belong to the turn of the tenth to eleventh century. These wall paintings show unusually high quality and close affinities with Byzantine art of this period. In our view, they could be a work of a visiting artist, probably a Georgian trained at some major Byzantine artistic center. He may well have been among the artists working on wall paintings at the cathedrals built and decorated by order of kings and church hierarchs during the late tenth to early eleventh centuries, in Tao-Klarjeti or other lands of the Georgian kingdom still under formation.