{"title":"西方银幕上的俄罗斯形象:现阶段(1992-2013)","authors":"A. Fedorov","doi":"10.2139/SSRN.2625021","DOIUrl":null,"url":null,"abstract":"This article included the analysis of evolution Russian image representation on the Western (USA, UK, Germany, Canada, France, Italy) screen – of the period of post-communist modern times (1992-2013): ideological and social trends, myths, stereotypes, illusions, classification of the contents’ models and modifications of genres. The main conclusion: the image of Russia in the majority of the Western fiction films of 1992-2013 is still treated as an image of something, “alien”, “different”, often hostile.","PeriodicalId":30304,"journal":{"name":"Evropejskij Issledovatel''","volume":"47 1","pages":"1051-1064"},"PeriodicalIF":0.0000,"publicationDate":"2015-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"The Image of Russia on the Western Screen: The Present Stage (1992-2013)\",\"authors\":\"A. Fedorov\",\"doi\":\"10.2139/SSRN.2625021\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article included the analysis of evolution Russian image representation on the Western (USA, UK, Germany, Canada, France, Italy) screen – of the period of post-communist modern times (1992-2013): ideological and social trends, myths, stereotypes, illusions, classification of the contents’ models and modifications of genres. The main conclusion: the image of Russia in the majority of the Western fiction films of 1992-2013 is still treated as an image of something, “alien”, “different”, often hostile.\",\"PeriodicalId\":30304,\"journal\":{\"name\":\"Evropejskij Issledovatel''\",\"volume\":\"47 1\",\"pages\":\"1051-1064\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2015-06-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Evropejskij Issledovatel''\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2139/SSRN.2625021\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Evropejskij Issledovatel''","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2139/SSRN.2625021","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Image of Russia on the Western Screen: The Present Stage (1992-2013)
This article included the analysis of evolution Russian image representation on the Western (USA, UK, Germany, Canada, France, Italy) screen – of the period of post-communist modern times (1992-2013): ideological and social trends, myths, stereotypes, illusions, classification of the contents’ models and modifications of genres. The main conclusion: the image of Russia in the majority of the Western fiction films of 1992-2013 is still treated as an image of something, “alien”, “different”, often hostile.