一位来自Kołobrzeg教区教堂的智慧女子:从绘画构图到图形分散的家长形象公式

Q4 Arts and Humanities
Marcin Bogusz
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引用次数: 0

摘要

这篇文章专门讨论了存放在Kołobrzeg大学教堂的这幅画,它代表了一个聪明的女人,以及它所属的肖像类型的接受。com的位置是非典型的,充满了符号和不明显的符号,在放置在代表两侧的铭文中解释。此外,在18世纪,在面板上放置了关于其创始人的信息,它来到教堂的年份,以及它的翻新。这幅画属于中世纪晚期非常流行的父母表现形式,旨在展示正确态度的模型。这些模型,由于图形技术的发明和传播,可以找到越来越多的接受者。类似的情况也适用于Kołobrzeg:在16世纪上半叶,在科隆、阿姆斯特丹和德意志帝国的一个未具名的车间里印刷了智慧女人的形象。随着时间的推移,这个公式逐渐丰富了一个智者的形象。尽管在最古老的版本中,这幅画附有评论,但后来的版本只包含了这幅画,这似乎证明了这幅画相当受欢迎。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A wise woman from the Kołobrzeg parish church: From painting composition to graphic dispersion of parenetic image formula
The article is devoted to the painting stored in the Kołobrzeg collegiate church, represent ing A wise woman , and to the reception of the iconographic type it belongs to. The com position is untypical, full of symbols and non-obvious signs, explained in the inscriptions placed on both sides of the representation. Moreover, in the 18 th century an information was placed on the panel about its founder, the year it came to the church, and its renova -tion. The painting belongs to quite popular in the late Middle Ages group of parenetic representations, which were intended to demonstrate models of proper attitude s. These models, due to the invention and dissemination of graphic techniques, could find their way to more and more numerous recipient s. Similar holds true for the composition which is found in Kołobrzeg: in the first half of the 16 th century, images of wise woman were printed in Cologne, Amsterdam, and in an unidentified workshop in the German Reich. Over the course of time the formula was e nr iched with an image of a wise man. Al though in the oldest realizations the picture was accompanied with a commentary, the later copies contain the picture alone which seems to prove considerable popularity of the composition.
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CiteScore
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