萨珊时期岩石浮雕的组成和连续性

IF 0.2 0 ARCHAEOLOGY

Iranica Antiqua Pub Date : 2008-01-31 DOI:10.2143/IA.43.0.2024052

Emma Thompson

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引用次数: 6

摘要

伊朗的悬崖上装饰着其悠久历史中每个时期的岩石浮雕。在萨珊王朝统治伊朗的岁月里，艺术家们大大增加了这些收藏品。这些纪念碑是关于当时一般政治、宗教、历史和艺术环境的信息的单个胶囊。本文提出了一种方法，通过分析每个萨珊浮雕的组成，进一步加深我们对萨珊时期的理解。这种分析是基于这样的假设，即构图将作为艺术连续性和变化的标志，并编码一种艺术签名，表明艺术家的背景和训练。初步结果表明，早期萨珊时期的浮雕反映了至少两个艺术流派的艺术家的作品。

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COMPOSITION AND CONTINUITY IN SASANIAN ROCK RELIEFS

The cliffs of Iran are adorned with rock reliefs from every period of its long history. During the years that the Sasanian dynasty ruled Iran, artists added to this collection considerably. These monuments are individual capsules of information on the general political, religious, historical and artistic milieu of the time. This paper presents a method for furthering our understanding of the Sasanian period through an analysis of the composition of each Sasanian relief. The analysis is based on the hypothesis that composition will serve as an indicator of artistic continuity and change and encode an artistic signature of sorts indicating the artists' background and training. The initial results suggest that the reliefs of the early Sasanian period reflect the work of artists from at least two schools of art.

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来源期刊

Iranica Antiqua ARCHAEOLOGY-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： Iranica Antiqua is one of the leading scholarly journals covering studies on the civilization of pre-Islamic Iran in its broadest sense. This annual publication, edited by the Department for Near Eastern Art and Archaeology at Gent University, Belgium, contains preliminary excavation reports, contributions on archaeological problems, studies on different aspects of history, institutions, religion, epigraphy, numismatics and history of art of ancient Iran, as well as on cultural exchanges and relations between Iran and its neighbours.