普里什文作品和日记文本中“云在移动”的语言形象

Веры Волошиной
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引用次数: 0

摘要

的目标。本文描述了普里什文散文中背景比喻常数的语义实现。方法。本文分析了大量包含“云/黑云正在移动”这一言语意象的最高级语境。揭示了文学文本的“作者形象”、感性和意象三者之间的相互依存关系。统计分析阐明了普里什文散文中语言意象的频率及其意义形式的总体:价值论、比喻、象征和概念。通过描述性互文分析和语言概念分析,提出了形象-知觉单元的语义多功能性;事实证明,景观作为“一般文本”是建立在反映作者对世界图景的原则之上,而不是建立在一个真实的参考空间之上。通过对作家艺术思维中稳定的、可复制的语言结构的研究,提出了一种运用具象常数对散文文本意象进行语言分析的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE VERBAL IMAGE OF «CLOUDS ARE MOVING» IN THE TEXTS OF M. M. PRISHVIN’S WORKS AND DIARIES
Aim. We describe the semantic realization of the background figurative constant in Prishvin’s prose. Methodology. A plethora of superlative contexts containing the verbal image “clouds / black clouds are moving” are analyzed. The interdependence of three categories of a literary text is revealed: “the image of the author”, perceptivity, and imagery. Statistical analysis clarifies the frequency of the verbal image in Prishvin’s prose and the totality of its meaningful forms: axiological, figurative, symbolic, and conceptual. Using a descriptive intertextual and linguoconceptual analysis, the semantic polyfunctionality of the figurative‒perceptual unit is presented; it is proved that the landscape as a “text in general” is built on the principle of reflecting the author’s picture of the world, rather than on a real reference space. A method of linguistic analysis of the category of imagery of a prose text is developed using figura-tive constants associated with the study of stable and reproducible linguistic structures of the writer’s artistic thinking.
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