那是第一王朝的凯契陶器(公元前3世纪

N. Ludwig
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引用次数: 3

摘要

在Kakheti,可以观察到陶瓷形状,装饰和制造技术的以下发展阶段。首先,从公元前10世纪到公元前6世纪,棕色和灰色的陶器占主导地位。形状、装饰和技术仍然散发着当地青铜器时代传统的气息,没有受到外界的影响。然后,在公元前6年左右,我们发现了一种新的淡红色的硬烧制陶器,通常呈现出以前未知的形状。所有这些新奇的东西都来自阿契美尼德时代的伊朗。在接下来的几个世纪里,新技术和新造型取代了以前的造型。石达和Kvemo Kartli的类似发展充分证明了这三个地区之间的密切联系。在世纪之交,陶瓷组合出现了完全的中断-来自“Yolojlu-Tapa文化”的陶器出现了,与当地的陶器一起,通常在身体周围装饰有平行的白线。然而,在格鲁吉亚东部邻近地区却没有类似的情况。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Die Kachetische Keramik des I. Jts. v. Chr : eine Einführung
In Kakheti, the following stages of development concerning ceramic shapes, decoration and techniques of manufacture can be observed. First, from the 10 t h through 6 t h centuries BC brownish and greyish wares dominated. Shapes, ornamentation and technique are still redolent of local Bronze Age traditions, and show no external influence. Then, around soo BC we find a new reddish, hard-fired pottery, which often shows formerly unknown shapes. All these novelties come from Achaemenid Iran. In the following centuries, the new technology and repertoire of shapes displace the former ones. Similar development in Shida or Kvemo Kartli provides ample proof of close contacts between these three regions. Around the turn of the millennium there is a total break in the ceramic assemblage - pottery from the 'Yolojlu-Tapa culture' appears and, together with local wares, are often decorated with parallel white lines around the body. This, however, finds no parallel in the neigbouring parts of Eastern Georgia.
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