ArchXant:数字人文时代的考古与铭文研究

Q3 Arts and Humanities

Actual Problems of Theory and History of Art Pub Date : 2021-01-01 DOI:10.18688/aa2111-01-08

L. Cavalier

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引用次数: 0

摘要

这篇论文是一项集体研究的结果，这是一个综合了考古学、金石学和“数字人文”的项目，专门研究被联合国教科文组织列为小亚细亚主要遗址之一的桑索斯。1838年，英国探险家查尔斯·费罗斯重新发现了桑托斯城。第一次“官方”挖掘始于1842年，并于同年向伦敦运送了许多属于该遗址主要丧葬纪念碑的雕刻碎片、建筑块和雕像，其中大部分来自涅瑞德纪念碑。1843年，更多的碎片被运往大英博物馆，在博物馆的“利西亚展厅”展出。19世纪末，也就是1892年到1894年之间，奥地利学者尼曼和本恩多夫在吕西亚进行了一项碑文调查，并将他们发现的石刻题字压缩带回到维也纳，这些碑文将发表在《亚洲少数民族图说》上。从1950年(Xanthos)到1962年(Létôon)，法国考古学家对这些遗址进行了探索，并在《Xanthos遗迹》系列中出版了几部专著，以及数百篇不同评论的文章。与魁北克铭文专家的合作始于2000年，一直持续到2010年，当时土耳其当局决定从法国撤回挖掘许可。然后，我们必须决定如何处理160多年来的大量档案和研究数据，同时考虑到它们的分布(伦敦、利物浦、维也纳、巴黎、波尔多、魁北克)和它们所包含的各种知识。2016年，我们响应了数字人文领域(法国ANR-FRSCQ魁北克)的提案呼吁，并获得了ArchXant项目的资助，该项目名为“数字人文时代的考古和碑文研究:法国-魁北克存档、开发和传播知识的项目”。ArchXant是当今世界考古学家和铭文学家面临的新问题的核心:为了未来的研究如何

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ArchXant: Archaeological and Epigraphic Research in Digital Humanities Era

This paper is the result of a collective research1, a project mixing archaeology, epigraphy, and “digital humanities”2 dedicated to Xanthos one of the major Unesco sites of Asia Minor3. The city of Xanthos was rediscovered by the English explorer Charles Fellows in 1838. The first “official” excavations started in 1842 and resulted the same year in the shipment to London of numerous sculpted fragments, architectural blocks, and statues belonging to the major funerary monuments of the site, most of them from the Nereid Monument. More fragments were shipped in 1843 to the British Museum to be exhibited in the “Lycian room” of the Museum. At the end of the 19th century, between 1892 and 1894, the Austrian scholars Niemann and Benndorf carried out an epigraphic survey in Lycia and brought back to Vienna the squeezes of the inscriptions on stone they discovered and that were to be published in the Tituli Asiae Minoris. From 1950 (Xanthos) and 1962 (Létôon) on, French archaeologists explored the sites and published several monographs in the series Fouilles de Xanthos as well as hundreds of articles in different reviews. The collaboration with Quebec epigraphists started in 2000 and lasted until 2010 when the Turkish authorities decided to withdraw the excavation permission from France. We then had to decide how to deal with the large volume of more than 160 years of archives and research data, taking into account their dispersion (London, Liverpool, Vienna, Paris, Bordeaux, Quebec) and the variety of knowledge they contain. In 2016, we answered to a call of proposal (French ANR-FRSCQ Quebec) in the field of Digital Humanities and obtained a funding for the ArchXant project labeled “Archaeological and epigraphic research in the era of digital humanities: a Franco-Quebec project in archiving, exploiting, and disseminating knowledge”. ArchXant is at the heart of new problems which faces today the world of archaeologists and epigraphists: for the sake of future research how

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来源期刊

Actual Problems of Theory and History of Art Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.40

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期刊介绍： Actual Problems of Theory and History of Art conference is an international academic forum held biannually by Lomonosov Moscow State University and Saint Petersburg State University, supported by major Russian museums. The conference takes place alternately in Moscow and Saint Petersburg. In Saint Petersburg, the State Hermitage Museum acts as its permanent partner. In 2018, the conference is held in Moscow, with the State Tretyakov Gallery as partner museum. The conference is dedicated to a wide range of issues related to history and theory of visual arts and architecture, conservation and interpretation of Russian and international cultural heritage, and interaction between academic science and museum experience. The chronological scope of this interdisciplinary forum spans from prehistoric era to contemporary stage. The conference welcomes art historians, culture theorists, archaeologists, art conservators, museum practitioners, and other humanities scholars whose research areas include architecture, visual and decorative arts.