{"title":"《伯穆兰雅·迪斯尼…吉打土阿》剧本创作过程","authors":"M. Backer, Halimi Mohd Noh, Husaini Yaacob","doi":"10.21315/WS2019.18.SUPP.1.2","DOIUrl":null,"url":null,"abstract":"\"Bermulanya Di Sini...Kedah Tua\" is an artistic theatrical production, the outcome of a collaborative effort between performers and archeologists at the Lembah Bujang, Kedah. The creation of the script for the production goes with the same title of \"Bermulanya Di Sini...Kedah Tua\" is inspired by historical narratives and literary sources derived from the ancient civilisation at Lembah Bujang also known as Kedah Tua. \"Bermulanya Di Sini...Kedah Tua\" translated as Kedah Tua...where it all began, marks the beginning of a new historical discovery, especially at Sungai Batu, an area in Lembah Bujang to be recognised as the oldest ancient civilisation in Southeast Asia. The key steps involved in creating the script for the theatrical production were (1) translating archaeological artefacts and architectural remains at Kedah Tua and (2) interpreting existing literary works, historical narratives, and artists impression about Kedah Tua. The methodology applied in creating the script is a combination of practice led research and textual analysis methods; a systematic method for describing, interpreting, analysing, and evaluating performative interpretations of the available field texts which provided a framework for a re-imagined scenario and also the artistic license to stretch the boundaries of the historical discourse. This method allowed the script to picture the setting of Kedah Tua between 2nd CE and 6th CE, which further establishes a premise upon the varying performance elements such as the plot, diction, and characterisation.","PeriodicalId":40376,"journal":{"name":"Wacana Seni-Journal of Art Discourse","volume":"68 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Process of Creating the Script for the Performance of, \\\"Bermulanya Di Sini…Kedah Tua\\\"\",\"authors\":\"M. Backer, Halimi Mohd Noh, Husaini Yaacob\",\"doi\":\"10.21315/WS2019.18.SUPP.1.2\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\\"Bermulanya Di Sini...Kedah Tua\\\" is an artistic theatrical production, the outcome of a collaborative effort between performers and archeologists at the Lembah Bujang, Kedah. 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引用次数: 0
摘要
“Bermulanya Di Sini……“kedaah Tua”是一种艺术戏剧作品,是表演者和考古学家在kedaah Lembah Bujang合作努力的结果。制作剧本的创作以“Bermulanya Di Sini……”“keah Tua”的灵感来自于历史叙述和文学来源,这些故事和文学来源来自于Lembah Bujang的古代文明,也被称为keah Tua。“Bermulanya Di Sini……keah Tua”翻译成keah Tua…这一切的开始,标志着一个新的历史发现的开始,尤其是在Sungai Batu,一个被认为是东南亚最古老的古代文明的地区。创作戏剧剧本的关键步骤是(1)翻译吉打都亚的考古文物和建筑遗迹,(2)解释现有的文学作品、历史叙述和艺术家对吉打都亚的印象。在创作剧本时所采用的方法是实践主导的研究和文本分析方法的结合;这是一种系统的方法,用于描述、解释、分析和评估对现有现场文本的表演性解释,它为重新想象的场景提供了框架,也为扩展历史话语的边界提供了艺术许可。这种方法使剧本能够描绘出公元2年至公元6年之间的吉打都亚的背景,这进一步建立了一个基于不同表演元素的前提,如情节,措辞和人物塑造。
The Process of Creating the Script for the Performance of, "Bermulanya Di Sini…Kedah Tua"
"Bermulanya Di Sini...Kedah Tua" is an artistic theatrical production, the outcome of a collaborative effort between performers and archeologists at the Lembah Bujang, Kedah. The creation of the script for the production goes with the same title of "Bermulanya Di Sini...Kedah Tua" is inspired by historical narratives and literary sources derived from the ancient civilisation at Lembah Bujang also known as Kedah Tua. "Bermulanya Di Sini...Kedah Tua" translated as Kedah Tua...where it all began, marks the beginning of a new historical discovery, especially at Sungai Batu, an area in Lembah Bujang to be recognised as the oldest ancient civilisation in Southeast Asia. The key steps involved in creating the script for the theatrical production were (1) translating archaeological artefacts and architectural remains at Kedah Tua and (2) interpreting existing literary works, historical narratives, and artists impression about Kedah Tua. The methodology applied in creating the script is a combination of practice led research and textual analysis methods; a systematic method for describing, interpreting, analysing, and evaluating performative interpretations of the available field texts which provided a framework for a re-imagined scenario and also the artistic license to stretch the boundaries of the historical discourse. This method allowed the script to picture the setting of Kedah Tua between 2nd CE and 6th CE, which further establishes a premise upon the varying performance elements such as the plot, diction, and characterisation.
期刊介绍:
Wacana Seni Journal of Arts Discourse, a refereed journal of the School of the Arts, published by Penerbit Universiti Sains Malaysia, promotes the advancement of scholarly knowledge about the arts and design particularly in Malaysia and Asia. The journal publishes articles with theoretical approaches from various disciplines, artists’ statements about creative processes, conversational dialogues with prominent artists, as well as reviews of books, recordings, exhibitions, and performances.